h, and distinguished also by their color. The metals formed an important element of their riches, and are constantly referred to as part of the tribute paid to the rulers. They were worked into ornaments, and employed in a variety of decorative manners.
The form of government of the four nations of whom I am speaking approached that of a limited monarchy. There was a head chief, who may as well be called a king, deriving his position and power through his birth, whose authority was checked by a council of the most influential of his subjects. The details of this general scheme were not the same at all periods, nor in all the states; but its outlines differed little.
Among the Cakchiquels, who interest us at present, the regal power was equally divided between two families, the Zotzils and the Xahils; not that there were two kings at the same time, as some have supposed, but that the throne was occupied by a member of these families alternately, the head of the other being meanwhile heir-apparent.[19-1] These chiefs were called the Ahpo-Zotzil and the Ahpo-Xahil; and their eldest sons were entitled Ahpop-
amahay and Galel Xahil, respectively, terms which will shortly be explained.
[20]The ceremonial distinction established between the ruler and those nearest him in rank, was indicated by the number of canopies under which they sat. The ruler himself was shaded by three, of graded sizes, the uppermost being the largest. The heir-apparent was privileged to support two, and the third from the king but one. These canopies were elaborately worked in the beautiful feathers of the quetzal, and other brilliant birds, and bore the name of muh, literally “shade” or “shadow,” but which metaphorically came to mean royal dignity or state, and also protection, guardianship.[20-1]
The seat or throne on which he sat was called tem,
hacat, and