Everywhere and always the same, the egotistical and amiable Maurice takes the lion’s share, and Amedee, listening only with one ear to the large Margot, who is already begging him to make an acrostic for her, thinks Rosine is charming, while Maurice says a thousand foolish things to her. In spite of himself, the poet looks upon Maurice as his superior, and thinks it perfectly natural that he should claim the prettier of the two women. No matter! Amedee wanted to enjoy himself too. This Margot, who had just taken off her gloves to drink her wine, had large, red hands, and seemed as silly as a goose, but all the same she was a beautiful creature, and the poet began to talk to her, while she laughed and looked at him with a wanton’s eyes. Meanwhile the orchestra burst into a polka, and Maurice, in raising his voice to speak to his friend, called him several times Amedee, and once only by his family name, Violette. Suddenly little Rosine started up and looked at the poet, saying with astonishment:
“What! Is your name Amedee Violette?”
“Certainly.”
“Then you are the boy with whom I played so much when I was a child.”
“With me?”
“Yes! Do you not remember Rosine, little Rosine Combarieu, at Madame Gerard’s, the engraver’s wife, in the Rue Notre-Dame-des-Champs? We played games with his little girls. How odd it is, the way one meets old friends!”
What is it that Amedee feels? His entire childhood rises before him. The bitterness of the thought that he had known this poor girl in her innocence and youth, and the Gerards’ name spoken in such a place, filled the young man’s heart with a singular sadness. He could only say to Rosine, in a voice that trembled a little with pity:
“You! Is it you?”
Then she became red and very embarrassed, lowering her eyes.
Maurice had tact; he noticed that Rosine and Amedee were agitated, and, feeling that he was de trop, he arose suddenly and said: