The office finished, the long defile commenced; and every one went to the entrance of the church to sprinkle some drops of holy-water on the bier, and press the hand of the old actor, who, broken by grief, and having hardly strength to hold his hat, leaned against a pillar.
That was the most horrible moment.
Carried away by the habit of playing up to the situation, all these theatrical people put into the token of sympathy which they gave to their friend the character of their employment. The star advanced gravely, and with a three-quarter inclination of his head flashed out the “Look of Fate.” The old tragedian with a gray beard assumed a stoical expression, and did not forget to “vibrate” in pronouncing a masculine “Courage!” The clown approached with a short, trotting step, and shaking his head until his cheeks trembled, he murmured, “My poor old fellow.” And the fairy queen, with the sensibility of a sensitive female, threw herself impulsively on the neck of the unhappy father, who, with swollen face, bloodshot eyes, and hanging lip, blackened his face and his gloved hands with the dye of his mustache, diluted by tears.
And all the time, a few steps from this grotesque and sinister scene, we could see—last word of this antithesis—the white figures of the young girls of the sisterhood, kneeling on the chairs nearest the coffin of their companion, and who undoubtedly were beseeching God, in their naïve and original prayers, to grant her the paradise of their dreams: a pretty paradise in the Jesuitical style, all in carved and gilded wood, and many-colored marble, where one could see at the end a tableau in a transparent light; the Virgin crowned with stars, with a serpent under her feet, while little cherubs suspended in mid-air over her head an azure streamer flaming with these words: “Ecce Regina Angelorum.”
THE SUBSTITUTE.
He was scarcely ten years old when he was first arrested as a vagabond.