MASTERPIECES
IN COLOUR
EDITED BY—
M. HENRY ROUJON
GOYA
(1746-1826)
| IN THE SAME SERIES |
| REYNOLDS |
| VELASQUEZ |
| GREUZE |
| TURNER |
| BOTTICELLI |
| ROMNEY |
| REMBRANDT |
| BELLINI |
| FRA ANGELICO |
| ROSSETTI |
| RAPHAEL |
| LEIGHTON |
| HOLMAN HUNT |
| TITIAN |
| MILLAIS |
| LUINI |
| FRANZ HALS |
| CARLO DOLCI |
| GAINSBOROUGH |
| TINTORETTO |
| VAN DYCK |
| DA VINCI |
| WHISTLER |
| RUBENS |
| BOUCHER |
| HOLBEIN |
| BURNE-JONES |
| LE BRUN |
| CHARDIN |
| MILLET |
| RAEBURN |
| SARGENT |
| CONSTABLE |
| MEMLING |
| FRAGONARD |
| DÜRER |
| LAWRENCE |
| HOGARTH |
| WATTEAU |
| MURILLO |
| WATTS |
| INGRES |
| COROT |
| DELACROIX |
| FRA LIPPO LIPPI |
| PUVIS DE CHAVANNES |
| MEISSONIER |
| GÉRÔME |
| VERONESE |
| VAN EYCK |
| FROMENTIN |
| MANTEGNA |
| PERUGINO |
| ROSA BONHEUR |
| BASTIEN-LEPAGE |
| GOYA |
PLATE I.—FERDINAND GUILLEMARDET
(Museum of the Louvre)
This personage, who has left no record in history, was one of those high functionaries, half civil and half military, whom the First Republic sent to its armies to supervise the commissary department and also to exercise an espionage over its generals. Goya has given a vigorous rendering of a head that bears the double stamp of energy and high breeding; and the prevailing gray tone of this portrait, relieved only by the one dash of brightness in the tricoloured scarf, forms altogether a work of perfect harmony.
