CHAPTER LVI.
LOUIS XVI.—MINISTRY OF M. TURGOT.
1774-1776.
Louis XV. was dead; France breathed once more; she was weary of the weakness as well as of the irregularities of the king who had untaught her her respect for him, and she turned with joyous hope towards his successor, barely twenty years of age, but already loved and impatiently awaited by his people. “He must be called Louis le Desire,” was the saying in the streets before the death-rattle of Louis XV. had summoned his grandson to the throne. The feeling of dread which had seized the young king was more prophetic than the nation’s joy. At the news that Louis XV. had just heaved his last sigh in the arms of his pious daughters, Louis XVI. and Maria Antoinette both flung themselves on their knees, exclaiming, “O God, protect us, direct us, we are too young.”
The monarch’s youth did not scare the country, itself everywhere animated and excited by a breath of youth. There were congratulations on escaping from the well-known troubles of a regency; the king’s ingenuous inexperience, moreover, opened a vast field for the most contradictory hopes. The philosophers counted upon taking possession of the mind of a good young sovereign, who was said to have his heart set upon his people’s happiness; the clergy and the Jesuits themselves expected everything from the young prince’s pious education; the old parliaments, mutilated, crushed down, began to raise up their heads again, while the economists were already preparing their most daring projects. Like literature, the arts had got the start, in the new path, of the politicians and the magistrates. M. Turgot and M. de Malesherbes had not yet laid their enterprising hands upon the old fabric of French administration, and already painting, sculpture, architecture, and music had shaken off the shackles of the past. The conventional graces of Vanloo, of Watteau, of Boucher, of Fragonard, had given place to a severer school. Greuze was putting upon canvas the characters and ideas of Diderot’s Drame naturel; but Vien, in France, was seconding the efforts of Winkelman and of Raphael Mengs in Italy; he led his pupils back to the study of ancient art; he had trained Regnault, Vincent, Menageot, and lastly Louis David, destined to become the chief of the modern school; Julien, Houdon, the last of the Coustous, were following the same road in sculpture Soufflot, an old man by this time, was superintending the completion of the church of St. Genevieve, dedicated by Louis XV. to the commemoration of his recovery at Metz, and destined, from the majestic simplicity of its lines, to the doubtful honor of becoming the Pantheon of the revolution; Servandoni had died a short time since, leaving to the church of St. Sulpice the care of preserving his memory; everywhere were rising charming mansions imitated from the palaces of Rome. The painters, the sculptors, and the architects of France were sufficient for her glory; only Gretry and Monsigny upheld the honor of that French music which was attacked by Grimm and by Jean Jacques Rousseau; but it was at Paris that the great quarrel went on between the Italians and the Germans; Piccini and Gluck divided society, wherein their rivalry excited violent passions. Everywhere and on, all questions, intellectual movement was becoming animated with fresh ardor; France was marching towards the region of storms, in the blindness of her confidence and joyante; the atmosphere seemed purer since Madame Dubarry had been sent to a convent by one of the first orders of young Louis XVI.
Already, however, far-seeing spirits were disquieted; scarcely had he mounted the throne, when the king summoned to his side, as his minister, M. de Maurepas, but lately banished by Louis XV., in 1749, on a charge of having tolerated, if not himself written, songs disrespectful towards Madame de Pompadour. “The first day,” said the disgraced minister, “I was nettled; the second, I was comforted.”
M. de Maurepas, grandson of Chancellor Pontchartrain, had been provided for, at fourteen years of age, by Louis XIV. with the reversion of the ministry of marine, which had been held by his father, and had led a frivolous and pleasant life; through good fortune and evil fortune he clung to the court; when he was recalled thither, at the age of sixty-three, on the suggestion of Madame Adelaide, the queen’s aunt, and of the dukes of Aiguillon and La Vrilliere, both of them ministers and relations of his, he made up his mind that he would never leave it again. On arriving at Versailles, he used the expression, “premier minister.” “Not at all,” said the king abruptly. “O, very well,” replied M. de Maurepas, “then to teach your Majesty to do without one.” Nobody, however, did any business with Louis XVI. without his being present, and his address was sufficient to keep at a distance or diminish the influence of the princesses as well as of the queen. Marie Antoinette had insisted upon the recall of M. de Choiseul, who had arranged her marriage and who had remained faithful to the Austrian alliance. The king had refused angrily. The sinister accusations which had but lately been current as to the causes of the dauphin’s death had never been forgotten by his son.
An able man, in spite of his incurable levity, M. de Maurepas soon sacrificed the Duke of Aiguillon to the queen’s resentment; the people attached to the old court accused her of despising etiquette; it was said that she had laughed when she received the respectful condolence of aged dames looking like beguines in their coifs; already there circulated amongst the public bitter ditties, such as,
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My little queen, not twenty-one, Maltreat the folks, as you’ve begun, And o’er the border you shall run. . . . |