John Charles Stamitz, a remarkable violinist, and distinguished composer, emanated from Bohemia; he was born in 1719, his Violin master was a monk of the Abbey of Reichenau, the Father Czernohorsky. Being in the service of the Palatinate Elector in 1745, Stamitz became the founder of the celebrated school of Mannheim, which produced the greater number of the German violinists of later days. The concertos of Stamitz, and a duet for one Violin, several times published, would alone suffice to prove the great capabilities of this artist: even did his pupils not bear evidence in favour of this judgment. Among his pupils were his two sons, Charles and Anthony, Canabich, Foerster, and several others. Christian Canabich succeeded his master; and his pupils were William Cramer, Danner, Ignace Fraenzel, all of whom were distinguished artists, but of different styles. Cramer and Danner possessed broadness in the style of bowing, but Fraenzel was a graceful and elegant performer, though his tone was somewhat thin. A pupil of Danner, John Frederick Eck, born at Mannheim in 1766, became a brilliant violinist of this school. This artist, director of the concerts of the Court of Munich, was the master of Spohr—at least, as far as talent can be formed, until individual organisation and meditation receive the stamp of personality. Louis Spohr has founded a Violin school in Germany, on a more extended and more vigorous scale than those of his predecessors. When Paganini heard him at Venice, he spoke of him in unqualified terms of approbation. This worthy artist has formed many pupils, who occupy most honourable positions in the large cities, and he has exposed the principles of his school in an extensive work, published by Haslinger, of Vienna, and subsequently translated into French and English.
Nicolo
Paganini.
