The poop, or stern, was usually higher than the rest of the vessel, and upon it the helmsman had his elevated seat. It was rounder than the prow, though its extremity was likewise sharp. It was embellished in various ways, but especially with the figure of the tutelary goddess or deity of the vessel. Over the helmsman was a roof, and above that an elegant ornament, rising from the stern and bending gracefully over him. In consequence of its conspicuous place and beautiful form, this ornament, named an aplustre, was considered emblematic of the sea, and was carried off by the victor in a naval engagement, as a standard or a scalp in more modern times.
The rudder was a singular contrivance. The origin of this very useful invention is attributed by Pliny, as we have said, to Tiphys, of the Argo,—a doubtful pilot of a doubtful vessel. Previous to this, vessels must have been guided by the same oars which propelled them. The Grecian rudder was a long oar with a very broad blade, inserted, not at the extremity of the stern, but at either side where it begins to curve; and a ship usually had two, both being managed by the same man. In large ships they were connected by a pole which kept them parallel and gave to both the position in which either was turned. The rudder seems to have been considered an emblem, as it frequently occurs on gems, coins, and cameos. Thus a Triton is found represented as blowing a shell and holding a rudder over his shoulder. A tiller and cornucopia are frequently seen in juxtaposition. A cameo, still preserved, shows a Venus Anadyomene leaning with her left arm upon a rudder the same height as herself, and thereby indicating, as is supposed, her own maritime origin.
The oars, bearing a name which at first signified only the blade, but was afterwards applied to all oars except the rudder, varied in size as they were used by a higher or lower rank of rowers. A trireme may be said to have had one hundred and seventy oars, a quinquereme three hundred, and even four hundred. The lower part of the holes through which the oars passed appears to have been covered with leather, which also extended a little way outside the hole. In vessels mounting five ranks of oars, the upper ones were of course much larger than the lower ones, and we therefore find it stated by Greek authors that the lower rank of rowers, having the shortest oars and consequently the easiest work, received the smallest salary, while those who had the largest oars and the heaviest work received the largest salary. They sat upon benches attached to the ribs of the vessel, each oar being managed by one man.
The masts of Grecian vessels, of which there were one, two, and three, were usually made of the fir-tree. A vessel with thirty rowers had two masts, the smaller being near the prow. In three-masted vessels the largest mast was nearest the stern. The part of the mast immediately above the yard formed a structure similar to a drinking-cup, and the sailors ascended into it in order to manage the sails, to obtain a wider view, and to discharge missiles. In large ships these were made of bronze and would hold three men: they were furnished with pulleys for hoisting stones and projectiles from below. The portion of the mast above the cup, or carchesium, was called the distaff, and corresponded to the modern topmast. The sail was hoisted, as at present, by means of pulleys and a hoop sliding up and down the mast.
The sails were usually square. It was not common to furnish more than one sail to one ship, and it was then attached with the yard to the great mast. Sometimes each of the two masts of a trireme had two sails, which were spread the one over the other, those of the foremast being used only on occasions when great speed was required. It does not appear that the triangular or lateen sail, so prevalent afterwards among the Romans, was ever used by the Greeks. In Homer's time, sails were of linen. Subsequently, sail-cloth was made of hemp, rushes, and leather. Originally white, the sails of the ancients were afterwards dyed of various colors. Those of Alexander's Indus fleet, of which we shall hereafter speak more particularly, were blue, white, and yellow. Those of pirates were sea-green, and those of Cleopatra, at the battle of Actium, were purple.
The cordage used was of various sizes and strength. In the first place, thick and broad ropes ran in a horizontal direction around the ship from stem to stern, for the purpose of binding the whole fabric strongly together. They ran around in several circles and at fixed distances from each other. Their number varied according to the size of the ship, a trireme usually requiring four, and six in case they were intended for very boisterous weather. These ropes were always held in readiness in the Attic arsenals. A second-sized rope was used for the anchors, while those attached to the masts, sails, and yards were altogether lighter and made with greater care. One of these ran from the top of the mainmast to the prow, corresponding to the modern mainstay.
The bulwarks were artificially elevated beyond the height intended by the builder of the frame by means of a wickerwork covered with skins. These served as a protection from high waves, and also as a breastwork against the enemy. They appear to have been fixed upon the upper edge of the wooden bulwark, and to have been removed when not wanted. Each galley had four, two of which were "white," and two "made of hair." What these distinctions were is quite unknown.
The anchors of Greek vessels, in the earlier periods, were stones or crates of sand, but soon came to be made of iron, and to be formed with teeth or flukes. The Greeks used the several expressions of lowering, casting, and weighing anchor precisely as we do, and the elliptical phrase "to weigh" meant then, as now, to "set sail." Each ship had several anchors: we learn, from the twenty-seventh chapter of Acts, that the vessel of St. Paul had four. The last and heaviest anchor was considered "sacred," in the same way as it is now regarded as "a last hope." The sailors, in casting it, recommended themselves to the protection of the gods; and it was rather a pretext for resorting to prayer than an instrument reliable from its strength and weight. "In our day," says an eminent writer upon the art of ship-building, "when every thing is calculated and weighed, and, even in this most poetic of professions, tends to the driest and most prosaic materialism, instead of the sacred anchor, cast in the midst of prayer and sacrifice, we have the anchor of eight thousand pounds." With all proper deference to the religious spirit of this learned commentator, we may remark, without irreverence, that even the most "poetic" of mariners would prefer a single modern best bower to a dozen of the sacred anchors of the Greeks; and it can hardly be doubted that, if the latter themselves had been acquainted with the "anchor of eight thousand pounds," they would have dispensed with both prayer and sacrifice. Heaven helps those who help themselves.
Every Greek vessel had a distinctive name, which was usually of the feminine gender, and often that of some popular heroine. In many cases, the name of the builder was added.
After the Trojan War, the establishment of Greek colonies upon foreign coasts, the commercial intercourse with these colonies, and the very prevalent practice of piracy, contributed largely to the improvement of ships and of navigation. For many years no innovation was made upon the custom of employing ships with one rank of rowers on each side. The Erythræan Greeks are supposed to have invented the biremes, with two ranks, and the Corinthians the triremes, with three. Themistocles, in the fifth century b.c., persuaded the Athenians to build two hundred triremes, for the purpose of attacking Ægina. Even at this period, vessels were not provided with complete decks, some having partial decks, and some none at all, the only protection for the men consisting in the bulwark. The invention of decked ships is ascribed to the Thasians. After Alexander the Great, the Rhodians became the greatest maritime power in Greece. The Colossus of Rhodes, a brazen statue of Apollo, one hundred feet high, seems to have been erected in assertion of their commercial supremacy, for the legend is that it stood across the mouth of the harbor, and that vessels passed between its legs.