If the transparency be not to be mounted in glass, the process is as follows: Cut a square hole, a trifle smaller than the picture, in the board you have provided; cut a piece of white paper of the same shape as the hole, only about one inch larger each way; moisten it slightly with a wet rag, then put some paste all round the edges of the paper, and paste it over the square hole in the board; keep the paper slightly moistened till the paste has thoroughly dried; then you can allow the paper to dry, when it will become smooth and tight like the head of a drum. On this you can paste the transparency in the same way you did on the glass.

Our young lady friends had a number of wonderful things produced in this way, into some of which they had introduced color with remarkable effect. In the design we have given as an example, being one of the simplest in their collection, the light in the castle window was red, and threw long rays of red light across the rocks, with a red reflection in the water. This was easily done with a little water-color (crimson lake); but we refrained from introducing it into our description, for fear of complicating the matter and puzzling the reader. However, when you have made the one we have described, you will soon see a number of other effects which can be produced—sunsets with a moving sun, rain-storms, floating clouds; skies and water painted blue, and trees green, etc., etc.

Little Pickle did not take any active part in the transparency business, though he looked on admiringly, occasionally throwing in a few words of applause or advice, something in this style:

"Oh! I say, Lucy, couldn't you put a cow in there; it would look fust-rate. I can draw a cow, all but the feet, and you can hide them behind the rocks, you know."

Or:

"Yes—ah—yes—that snow is pretty good, only that feller has only got one runner to his sled!"

It is strange that boys will always say feller and fust-rate.

Little Pickle was not, however, idle in his way. While we were studying white fingers, brown eyes, and transparencies, he had cut out a sled, a wheel-barrow, and manufactured a dancing-pea. The latter he made by running a pin half way through a pea, one end of which he stuck into a broken piece of tobacco-pipe. He then threw his head back till the tobacco-pipe attained a perpendicular position, when he commenced blowing, which made the pea dance in the air in the most amusing manner for nearly a minute. The mode of arranging the pea, as well as of using it, is illustrated in the accompanying sketch.

He likewise horrified us all by suddenly appearing with a hideous double row of protruding yellow teeth, which he coolly dropped into the palm of his hand, when he thought our feelings had been sufficiently outraged.