Care of Pearls. This example suggests the great care that should be taken by owners of fine pearls to prevent undue rubbing or wear of these valuable but not extremely durable gems. They should be carefully wiped after being worn to remove dust and then put away in a tightly closed case.
Pearls should never be allowed to come in contact with any acid, not even weak acids like lemonade, or punch or vinegar, as, being largely calcium carbonate they are very easily acted upon by acids, and a mere touch with an acid might ruin the surface luster. Being partly organic in nature, pearls are not everlasting, but must eventually decay, as is shown by the powdery condition of very old pearls that have been found with mummies or in ancient ruins. The organic matter has yielded to bacterial attack and decayed, leaving only the powdery mineral matter behind. As heat and moisture are the conditions most conducive to the growth of bacteria, and hence to decay, it would follow that fine pearls should be kept in a dry cool place when not in use.
LESSON XXVIII
CULTURED PEARLS AND IMITATIONS OF PEARLS
Cultured Pearls. Like all very valuable gems, pearls have stimulated the ingenuity of man to attempt to make imitations that would pass for genuine. Perhaps the most ingenious, as well as the most natural looking product, is the "cultured pearl." This is really natural pearl on much of its exterior, but artificial within and at the back. In order to bring about this result the Japanese, who originated the present commercial product, but who probably borrowed the original idea from the Chinese, call to their assistance the pearl oyster itself. The oysters are gently opened, small hemispherical discs of mother-of-pearl are introduced between shell and mantle and the oyster replanted. The foreign material is coated by the oyster with true pearly layers as usual, and after several years a sufficiently thick accumulation of pearly layers is thus deposited on the nucleus so that the oyster may be gathered and opened and the cultured pearl removed by sawing it out from the shell to which it has become attached. To the base is then neatly cemented a piece of mother-of-pearl to complete a nearly spherical shape, and the portions of the surface that have not been covered with true pearl are then polished. The product, when set in a proper pearl mounting, is quite convincing and really beautiful.
As the time during which the oyster is allowed to work upon the cultured pearl is doubtless far less than is required for the growth of a large natural pearl, the number of layers of true pearly material is considerably smaller than the number of layers that take part in the multiple reflections explained in the previous lesson, and hence the "orient" of the cultured pearl is never equal to that of a fine true pearl. It is frequently very good however, and for uses that do not demand exposure of the whole surface of the pearl, the cultured pearl supplies a substitute for genuine pearls of moderate quality and price. The back parts of the cultured pearl, being only polished mother-of-pearl, have the appearance of the ordinary pearl button, rather than that of true pearl.
Imitations of Pearls. Aside from these half artificial cultured pearls, the out and out imitations of pearls that have been most successfully sold are of two general types, first "Roman pearls," and, second, "Indestructible pearls." The Roman pearls are made hollow and afterward wax filled, the Indestructible pearls have solid enamel bases. In both types the pearly appearance is obtained by lining the interior, or coating the exterior, with more or less numerous layers of what is known as "nacre" or some times as "essence d'oriente." This is prepared from the scales of a small fish found in the North Sea and in Russia. The scales are removed and treated with certain solutions which remove the silvery powder from the scales. The "nacre" is then prepared from this powder. The fineness of the pearly effect becomes greater as the preparation ages, so very fine imitations are usually made from old "nacre." The effect is also better the larger the number of successive layers used. The artificial pearl thus resembles the true pearl in the physical causes for the beautiful effect.
In some cases the Roman pearl has a true iridescence which is produced by "burning" colors into the hollow enamel bead. Some of the indestructible pearls are made over beads of opalescent glass, thus imparting a finer effect to the finished product. While the cheaper grades of indestructible pearls have but three or four layers of nacre, some of the fine ones have as many as thirty or more. The earlier indestructible pearls were made with a coating material which was easily affected by heat, or by water, or by perspiration, as a gelatine-like sizing was included in it. The more recent product has a mineral binder which is not thus affected, so that the "pearls" are really about as durable as natural ones, and will at least last a lifetime if used with proper care.