III
London was a village in the time of Francis d'Assisi, and the baying of the wolves was the only sound heard in the forests that then covered the sites of our great modern cities. Whilst King John was signing Magna Carta, Francis was at Rome seeking recognition for his brotherhood of friars. It was the age of the Crusaders and the Troubadours. Yet, as I read the moving record of his great spiritual experience, I forget that I have invaded a period in which English history had scarcely begun. Francis has his affinities in every land and in every age. Francis died four hundred years before John Bunyan was born; yet, as I read Bunyan's description of Christian at the Cross, I seem to be perusing afresh the story of the conversion of Francis. The language fits exactly. Strike out the word 'Christian,' and substitute the word 'Francis,' and the passage could be transferred bodily from the Pilgrim's Progress to the Life of Francis d'Assisi.
The conversion of Francis occurred five hundred years before Dr. Watts wrote his noble hymn, 'When I survey the wondrous Cross'; yet, without knowing the words, Francis sang that song in his heart over and over and over again.
The conversion of Francis was effected six hundred years before the conversion of Mr. Spurgeon. Yet that conversion in the ruined church of St. Damian's in Italy is the very counterpart of that later conversion in the little chapel at Artillery Street, Colchester.
'Look!' cried the preacher at Colchester, 'look to Jesus! Look to Jesus!' 'I looked,' says Mr. Spurgeon; 'I looked and was saved!'
'Francis looked to the Crucified,' says his biographer. 'It was a look of faith; a look of love; a look that had all his soul in it; a look which did not attempt to analyze, but which was content to receive. He looked, and, looking, entered into life.'
You can take the sentences from the Life of Francis and transfer them to the Life of Spurgeon, or vice versa, and they will fit their new environment with the most perfect historical accuracy.
IV
As, with your face towards Spello, you follow the windings of the Via Francesca, you will find the little church of St. Damian's on the slope of the hill outside the city walls. It is reached by a few minutes' walk over a stony path, shaded with olive-trees, amid odors of lavender and rosemary. 'Standing on the top of a hillock, the entire plain is visible through a curtain of cypresses and pines which seem to be trying to hide the humble hermitage and set up an ideal barrier between it and the world.' Francis was particularly fond of this wooded walk and of the sanctuary to which it led. In pensive moments, when it was more than usually evident to him that, with all his merriment, he had not yet discovered the fountain of true gladness, he turned his face this way.
The crucifix at St. Damian's--which is still preserved in the sacristy of Santa Chiara--has features peculiarly its own. It differs from other images of the kind: 'In most of the sanctuaries of the twelfth century, the Crucified One, frightfully lacerated, with bleeding wounds, appears to seek to inspire only grief and compunction; that of St. Damian, on the contrary, has an expression of unutterable calm and gentleness; instead of closing the eyelids in eternal surrender to the weight of suffering, it looks down in self-forgetfulness, and its pure, clear gaze says, not "See how I suffer!" but "Come unto Me!"'