And what about Love? Love is a lovely thing, or why should we be so fond of love-stories? The love of a man for a maid, and the love of a maid for a man, are surely among the very sweetest and most sacred things in life. No story is so fascinating as the story of a courtship. And that is good, altogether good. Every man who has won the affection of a true, sweet, beautiful girl feels that a new sanction has entered into life. He is conscious of a new stimulus towards purity and goodness. And every girl who has won the heart of a good, brave, great-hearted man feels that life has become a grander and a holier thing for her. As Shakespeare says:
Of no more subtle master under heaven
Than is the maiden passion for a maid,
Not only to keep down the base in man,
But to teach high thoughts and amiable words,
And courtliness, and the desire for fame,
And love of truth, and all that makes a man.
Lord Lytton illustrates this magic force in his Last Days of Pompeii. He tells us that Glaucus, the Athenian, ‘had seen Ione, bright, pure, unsullied, in the midst of the gayest and most profligate gallants of Pompeii, charming rather than awing the boldest into respect, and changing the very nature of the most sensual and the least ideal as, by her intellectual and refining spells, she reversed the fable of Circe, and converted the animals into men.’ Here, then, is something altogether good. It is clearly designed to minister new life to all who come beneath its spell. And yet the sordid fact remains that, through the degradation of this same high and holy impulse, thousands of young people make sad shipwreck.