'"It's a psychological fact," said Madge. "I work it out in this way. In the first and second years a wife is absorbed in the experiment of marriage and in the sentimental phase of love. In the third and fourth years she begins to study her husband and to find him out. In the fifth and sixth years, having found him out completely, she makes a working compromise with life and tries to make the best of it. In the seventh and eighth years she begins to find out herself. Life has become prosaic. Her home has become a cage to her. In the eighth year she must find a way of escape—anyhow, anywhere. And in the eighth year the one great question is, in what direction will she go? There are many ways of escape."' And so comes the disaster.
All this seems to show that the eighth year of marriage is like the fortieth year of life. It is the year in which husband and wife are called upon to make their supreme stand on behalf of the pansies. And supposing they do it? Suppose that they make up their minds that everything shall not be sacrificed to potatoes; what follows? Why, to be sure, the best follows. Coventry Patmore, in his Angel in the House—the classic of all young husbands and young wives—says that the years that follow the eighth are the sweetest and the fullest of all. What, he asks—
What
For sweetness like the ten years' wife,
Whose customary love is not
Her passion, or her play, but life?
With beauties so maturely fair,
Affecting, mild, and manifold,
May girlish charms no more compare
Than apples green with apples gold.
Ah, still unpraised Honoria, Heaven,
When you into my arms it gave,
Left naught hereafter to be given
But grace to feel the good I have.
Here, then, is the crisis reached; the stand successfully made on behalf of the pansies; and all life fuller and richer for ever afterwards in consequence. Every man and woman at forty is called upon for a similar chivalrous effort. At forty we become the knights of the pansies, and if we let them go we shall find that at fifty it will be difficult to find even a sprig of heartsease anywhere.
Whether I take as my text the prophet's prayer for a revival and a revelation in the midst of the years, or the story of the man who was more than forty years old when he fell under the spell of the miraculous, I know how I shall close my sermon. I shall close by telling the story of Dr. Kenn and Maggie Tulliver from The Mill on the Floss. It will convince my hearers that folk in the forties have a great and beautiful and sacred ministry to exercise. Maggie was young, and the perplexities of life were too much for her. Dr. Kenn was arrested by the expression of anguish in her beautiful eyes. Dr. Kenn was himself neither young nor old, but middle-aged; and Maggie felt a childlike, instinctive relief when she saw that it was Dr. Kenn's face that was looking into hers. 'That plain, middle-aged face, with a grave, penetrating kindness in it, seeming to tell of a human being who had reached a firm, safe strand, but was looking with helpful pity towards the strugglers still tossed by the waves, had an effect on Maggie at this moment which was afterwards remembered by her as if it had been a promise.' And then George Eliot makes this trite and significant remark. 'The middle-aged,' she says, 'who have lived through their strongest emotions, but are yet in the time when memory is still half-passionate and not merely contemplative, should surely be a sort of natural priesthood, whom life has disciplined and consecrated to be the refuge and rescue of early stumblers and victims of self-despair. Most of us, at some moment in our young lives, would have welcomed a priest of that natural order in any sort of canonicals or uncanonicals, but had to scramble upwards into all the difficulties of nineteen entirely without such aid.'
And after hearing that fine story my congregation of folk on the threshold of the forties will return from the quiet church to the busy street humming the songs that they sang at nineteen; vowing that, come what may, the potatoes shall not elbow out all the pansies; and congratulating themselves that the richest wine in the chalice of life still waits their thirsty lips.
X
A WOMAN'S REASON
"Will you go with me?"
'"No, indeed; you must go alone. I shall not appear at all."