I fancy that the custom to which I have referred was in vogue in the church to which the Rev. Bruno Leathwaite Chilvers ministered. Everybody knows Mr. Chilvers; at least everybody who loves George Gissing knows that very excellent gentleman. Mr. Chilvers loved to adorn his dainty discourses with certain words of strangely grandiloquent sound. '"Nullifidian," "morbific," "renascent"—these were among his favourites. Once or twice he spoke of "psychogenesis" with an emphatic enunciation which seemed to invite respectful wonder. In using Latin words which have become fixed in the English language, he generally corrected the common errors of quantity and pronounced words as nobody else did. He often alluded to French and German authors in order that he might recite French and German quotations.' And so on. Poor Mr. Chilvers! I am sure that the little children filed out during the hymn before the sermon. No man with a scrap of imagination could look into the dimpled face of a little girl I know and hurl 'nullifidian' at her. No man could look down into a certain pair of sparkling eyes that are wonderfully familiar to me and talk about things as 'morbific' or 'renascent.' If only the little tots had kept their seats for the sermon, it would have saved poor Mr. Chilvers from committing such atrocities. As it is, they went and he collapsed. Can anybody imagine John Wesley talking to his summer-evening crowd at Dublin about 'nullifidian,' or quoting German? I will say nothing of the Galilean preacher. The common people heard Him gladly. He was so simple and therefore so sublime. As Sir Edwin Arnold says:
The simplest sights He met—
The Sower flinging seed on loam and rock;
The darnel in the wheat; the mustard-tree
That hath its seeds so little, and its boughs
Widespreading; and the wandering sheep; and nets
Shot in the wimpled waters—drawing forth
Great fish and small—these, and a hundred such,
Seen by us daily, never seen aright,
Were pictures for Him from the page of life,
Teaching by parable.
Therein lay the sublimity of it all.
A little child, especially a little child of a distinctly restless and mischievous propensity, is really a great help to a minister, and it is a shame to deprive the good man of such assistance. It is only by such help that some of us can hope to approximate to real sublimity. Lord Beaconsfield used to say that, in making after-dinner speeches, he kept his eye on the waiters. If they were unmoved, he knew that he was in the realms of mediocrity. But when they grew excited and waved their napkins, he knew that he was getting home. Lord Cockburn, who was for some time Lord Chief Justice of Great Britain, when asked for the secret of his extraordinary success at the bar, replied sagely, 'When I was addressing a jury, I invariably picked out the stupidest-looking fellow of the lot, and addressed myself specially to him—for this good reason: I knew that if I convinced him I should be sure to carry all the rest!' Dr. Thomas Guthrie, in addressing gatherings of ministers, used to tell this story of Lord Cockburn with immense relish, and earnestly commended its philosophy to their consideration. I was reading the other day that Dr. Boyd Carpenter, formerly Bishop of Ripon and now Canon of Westminster, on being asked if he felt nervous when preaching before Queen Victoria, replied, 'I never address the Queen at all. I know there will be present the Queen, the Princes, the household, and the servants down to the scullery-maid, and I preach to the scullery-maid.' Little children do not attend political dinners such as Lord Beaconsfield adorned; nor Courts of Justice such as Lord Cockburn addressed; nor Royal chapels like that in which Dr. Boyd Carpenter officiated. And, in the absence of the children, the only chance of reaching sublimity that offered itself to these unhappy orators lay in making good use of the waiter, the stupid juryman, and the scullery-maid. If the Rev. Bruno Leathwaite Chilvers really cannot induce the children to abandon the bad habit in which they have been trained, I urge him, as a friend and a brother, to adopt the same ingenious expedient. But if he can get on the right side of a little child, persuade him to sit the sermon out, and vow that he will look straight into that bright little face, and say no word that will not interest that tiny listener, I promise him that before long people will say that his sermons are simply sublime. Robert Louis Stevenson knew what he was doing when he discussed every sentence of Treasure Island with his schoolboy step-son before giving it its final form. It was by that wise artifice that one of the greatest stories in our language came to be written.
The fact, of course, is that in the soul's sublimest moments it hungers for simplicity. One of Du Maurier's great Punch cartoons represented a honeymoon conversation between a husband and wife who had both covered themselves with glory at Cambridge. And the conversation ran along these highly intellectual lines:
'What would Lovey do if Dovey died?'
'Oh, Lovey would die too!'
There is a world of philosophy behind the nonsense. We do not make love in the language of the psychologist; we make love in the language of the little child. When life approaches to sublimity, it always expresses itself with simplicity. In the depth of mortal anguish, or at the climax of human joy, we do not use a grandiloquent and incomprehensible phraseology. We talk in monosyllables. As we grow old, and draw near to the gates of the grave, we become more and more simple. In his declining years, John Newton wrote, 'When I was young I was sure of many things. There are only two things of which I am sure now; one is that I am a miserable sinner, and the other that Christ is an all-sufficient Saviour.' What is this but the soul garbing itself in the most perfect simplicities as the only fitting raiment in which it can greet the everlasting sublimities?
'Here are sublimity and simplicity together!' exclaimed John Wesley on that hot July night at Dublin. 'How can any one that would speak as the oracles of God use harder words than are to be found here? By this I advise every young preacher to form his style!'
'He who aspires to be a great poet—as sublime as Milton—must first become a little child!' declares the greatest of all littérateurs.