II

MUSHROOMS ON THE MOOR

Mr. G. K. Chesterton does not like mushrooms. That is the most arresting fact that I have gleaned from reading, carefully and with delight, his Victorian Age in Literature. In his treatment of Dickens, he writes very contemptuously of 'that Little Bethel to which Kit's mother went,' and he likens it to 'a monstrous mushroom that grows in the moonshine and dies in the dawn.' Now no man who was really fond of the esculent and homely fungus would have employed such a metaphor by way of disparagement. I can only infer that Mr. Chesterton thinks mushrooms very nasty. His opinion of Little Bethel does not concern me. It is neither here nor there. But Mr. Chesterton does not like mushrooms! I cannot get over that!

I feel very sorry for Mr. Chesterton. It is not merely a matter of taste. I would not presume to set my opinion in a matter of this kind over against his. But the authorities are with me. I have looked up the Encyclopaedia Britannica, and its opening sentence on the subject affirms that 'there are few more delicious members of the vegetable kingdom than the common mushroom.' I suppose that in these matters association has a lot to do with it. I cannot forget those delicious summer mornings in England when we boys, rising with the lark, stole out of the house like so many burglars, and scampered with our baskets across the fragrant meadows to gather the white buttons that dotted the sparkling, dew-drenched grass. It was, as I have said in the introduction to this book, a large part of childhood's radiant romance! What tales our fancy wove into the fairy-rings under the elm-trees! We lifted each moist fungus half expecting to see the brownies and the elves fly from beneath it! And what fearsome care we took to include no single hypocritical toadstool among our treasures! I am really afraid that Mr. Chesterton would have been less conscientious. Mushrooms and toadstools are all alike to him. He can never have had such frolics in the fields as we enjoyed in those ecstatic summer mornings. And he never, therefore, knew the fierce joy of the breakfast that followed when, hungry as hunters, we returned with flushed faces to feast upon the spoils of our boisterous foray. Over such brave memories Mr. Chesterton cannot fondly linger. For Mr. Chesterton does not like mushrooms.

What would the Harvester have said to Mr. Chesterton? For, to Gene Stratton Porter's hero, mushrooms were half-way to destiny. 'In the morning, brilliant sunshine awoke him, and he arose to find the earth steaming.

'"If ever there was a perfect mushroom morning!" he said to his dog. "We must hurry and feed the stock and ourselves, and gather some!" The Harvester breakfasted, fed the stock, hitched Betsy to the spring wagon, and went into the dripping, steamy woods. If any one had asked him that morning concerning his idea of heaven, he would never have dreamed of describing gold-paved streets, crystal pillars, jewelled gates, and thrones of ivory. He would have told you that the woods on a damp sunny May morning was heaven. He only opened his soul to beauty, and steadily climbed the hill to the crest, and then down the other side to the rich, half-shaded, half-open spaces, where big, rough mushrooms sprang in a night.'

Yes, a mushroom morning was heaven to the Harvester. And it was the mushrooms that led him the first step of the way towards the discovery of his dream-girl. The mushrooms represented the first of those golden stairs by which he climbed to his paradise. And Mr. Chesterton does not like mushrooms! What would the Harvester have said to Mr. Chesterton?

One faint, struggling glimmer of hope I am delighted to discover. Mr. Chesterton likens Little Bethel to a monstrous mushroom. There can be only one reason for this inartistic mixture of analogy and antithesis. Mr. Chesterton evidently knows that a large mushroom is not so sweet or so toothsome as a small one. A 'monstrous mushroom,' even to those who like mushrooms, is coarse and less tasty. Now the gleam of hope lies in the circumstance that Mr. Chesterton knows the fine gradations of niceness (or nastiness) that distinguish mushrooms of one size from mushrooms of another. As a rule, if you get to know a thing, you get to like it. Mr. Chesterton is coming to know mushrooms. He will soon be ordering them for breakfast. He may even come, like certain tribes mentioned in the Encyclopaedia, to eat nothing else! And by that time he may have come to know Little Bethel. And if he comes to know it, he may come to like it. He will still liken it to a mushroom. But we shall be able to tell, by the way he says it, that he means that it is very good. We shall see at once that Mr. Chesterton likes mushrooms. At present, however, the stern fact remains. Mr. Chesterton does not like mushrooms. Richard Jefferies, in his Amateur Poacher, says that mushrooms are good either raw or cooked. The great naturalist is therefore altogether on the side of the Encyclopaedia. 'Some eat mushrooms raw, fresh as taken from the ground, with a little salt; but to me the taste is then too strong.' Perhaps that is how Mr. Chesterton has taken his mushrooms—and Little Bethel!' Of the many ways of cooking mushrooms,' Richard Jefferies goes on, 'the simplest is the best; that is, on a gridiron.' Mr. Chesterton gives the impression that that is precisely how he would prefer his mushrooms—and Little Bethel! For Mr. Chesterton does not like mushrooms.

The really extraordinary feature of the whole thing is that I like mushrooms all the better for the very reason that leads Mr. Chesterton to pour upon them his most withering and pitiless contempt. He hates them because they spring up in the night. Little Bethel is a 'monstrous mushroom that grows in the moonshine.' It is perfectly true that Little Bethel, like the mushrooms, flourished in the darkness. Like Mark Tapley, she was at her brightest when her surroundings were most dreary. In this respect both the meeting-house and the mushrooms are in excellent company. Many fine things grow in the night. Indeed, Sir James Crichton-Browne, the great doctor, in his lecture on 'Sleep,' argues that all things that grow at all grow in the night. Night is Nature's growing-time. Now Michael Fairless shared Richard Jefferies' fondness for mushrooms. Every reader of The Roadmender will recall the night in the woods. 'Through the still night I heard the nightingales calling, calling, calling, until I could bear it no longer, and went softly out into the luminous dark. The wood was manifold with sound. I heard my little brothers who move by night rustling in grass and tree; and above and through it all the nightingales sang and sang and sang! The night wind bent the listening trees, and the stars yearned earthwards to hear the song of deathless love. Louder and louder the wonderful notes rose and fell in a passion of melody, and then sank to rest on that low thrilling call which it is said Death once heard and stayed his hand. At last there was silence. The grey dawn awoke and stole with trailing robes across earth's floor. Gathering a pile of mushrooms—children of the night—I hasten home.'

The nightingales—the singers of the night!