Rubble and Roseleaves, and Things of That Kind

by Frank Boreham

He heard their sound with secret pain.

And so, through the melodious medium of the bells, the royal lovers on the terrace cross the long centuries that intervene and enter into fellowship with those other royal lovers of an earlier time.

I remember, many years ago, spending a few days at a beautiful country home in Hampshire. My hostess was a little old lady—very little and very old. I can see her now with her prim little cap, her golden earrings, and her silver ringlets. It was summer-time, and one evening she invited me to accompany her on a walk across the deer-park. She was a happy little body, and that evening she was specially vivacious. Her conversation was punctuated with pretty ripples of silvery laughter. She was too proud to confess to feeling tired; but when we reached a stile with a step to it on the brow of a hill, she took a seat upon the step—to drink in, as she was careful to explain, the beauty of the view. I perched myself upon the stile itself and watched with interest the antics of a fine stag among some oak-trees not far away. Then, all at once, the bells from the village behind us rang out blithely. For a while I listened in silence, and then turned to my companion to ask a question. On glancing down at her face, however, I was astonished to notice tears upon her cheek. What could be the matter with my gay little friend? I immediately transferred my attention to the stag, who was by this time ambling away across the park, but she knew that I had seen the tear-drops. On our way back to the house she explained.

'My mother died,' she said, 'while I was on my honeymoon in Italy. I was only a girl, and she was not much more. She was only twenty when I was born, and I was only eighteen on my wedding day. I never dreamed, when I left England, that I should never see her again. On the eve of my wedding she came up to me, put her arm round me, and led me away to spend one more hour alone with her. We sauntered off to the stile on which you and I rested this evening; and as we sat there, hand in hand, the bells pealed out just as they did to-night. And, as I listened to them just now, her face, her form, her voice, her words—the very feeling of that other evening more than sixty years ago—came back upon me more vividly than they have ever done before. I could almost fancy that I was a girl again. My marriage, my children, my travels, and my long widowhood seemed all a dream. It was the bells that took me back again!'

I wonder if it was! I wonder if the great iron bells that hung in the dusty old belfry of that English hamlet knew anything of the sweet and sacred secrets that my little old friend kept locked up in that gentle heart of hers! I wonder if the bells of Geisenheim knew anything of the loves of Charlemagne and Fastrada, of Elsie and Prince Henry! I wonder if the bells that drove the squirrels from my mind that summer evening knew anything of the Christmas thoughts and Christmas memories with which they flooded my soul! I wonder!

And, in my wonderment, I find myself in excellent company. For here is little Paul Dombey! He has only a few days to live, although, to-day, he is slightly better and able to get about the house a little. And, in moving about the house, he finds a workman mending the great clock in the hall, and Paul sees an opportunity of asking a few questions. Indeed, Dickens says that he asked, not a few, but a long string of them. 'He asked the man a multitude of questions about chimes and clocks; as, whether people watched up in the lonely church steeples by night to make them strike, and how the bells were rung when people died, and whether those were different bells from wedding bells, or only sounded different in the fancies of the living.' In this last question, Paul gets very near to our own. Do the bells say the things they seem to say, or do they only seem to say those things? Did the bells of Geisenheim speak of love to the lovers on the castle terrace? Did the bells of that Hampshire village speak to the little old lady in the deer-park concerning the days of auld lang syne—her happy girlhood and her mother's face? Did the bells of that Australian steeple speak of the old-fashioned English Christmases as their delicious music fell on my delighted ears that summer night?

Of course not! The bells take us as they find us and set us to music; that is all! Paul Dombey, who died young, half suspected it; and Trotty Veck of The Chimes, who lived to be old, proved it from experience, and proved it up to the hilt. When things were going badly with Trotty and Richard and Meg, and the magistrate said that people like them should be 'put down' with the utmost rigor of the law, the chimes, when they suddenly pealed out, made the air ring with the refrain 'Put 'em down; Put 'em down; Facts and Figures; Facts and Figures! Put 'em down! Put 'em down!!' 'If,' says Dickens, 'the chimes said anything, they said this; and they said it until Trotty's brain fairly reeled.' Later on in the story, we have the same chimes, and the same people listening to them. But this time all is going well: Meg and Richard are to be married on the morrow: and Trotty is at the height of his felicity. 'Just then the bells, the old familiar bells, his own dear constant, steady friends—the chimes—began to ring. When had they ever rung like that before? They chimed out so lustily, so merrily, so happily, so gaily, that he leapt to his feet and broke the spell that bound him.' And, a few minutes later, Trotty and Richard and Meg were dancing with delight to the gay, glad music of the bells!

When they themselves were sad, the chimes seemed mournful; when they were glad, the chimes seemed blithe. 'Are they different bells?' asked little Paul Dombey, 'or do they only sound different?' Paul was getting very near to the heart of a great truth; and, if only Trotty Veck and he could have talked things over together, they might have given us a philosophy of bells that would have immeasurably enriched our thought.

The chimes are among the things to which distance lends enchantment. The bells, as my little old lady and I heard them from the deer-park, were sweeter than the same bells heard in the churchyard under the belfry. In his Cheapside to Arcady, Mr. Arthur Scammell suggests that the music of the bells awakens the echoes of all the infinites and all the eternities. He finds himself up in the belltower. 'After the last stroke of the bell ceases to be heard down in the church,' he says, 'the sound is continued up here in a long diminuendo; and how long will it be before that vibrant hum is completely extinguished? All through the night, the air about the bells may still be throbbing with faint echoes and reverberations; and, if an hour or a night, why not a year or a century? May not even the sound of the first ringing of these old bells yet lisp against the walls and roof in infinitesimal vibrations? The tower may be alive with the thin ghosts of all the joyous and mournful notes that have endeared and embittered the sound of bells to hundreds of human hearts.' And if, following the same line of argument, the music of the bells falls so sweetly on my ear as I sit upon my grassy knoll two miles away from the steeple, who is to say that twenty miles away, a thousand miles away, the air is not trilling and trembling with their delicious melodies? It may be only because my perceptive faculties are so gross, my ears so heavy, that I do not, in this Australian pleasance of mine, catch the chimes of Big Ben and the echoes of Bow Bells. And if Mr. Scammell's philosophy be true of bells, why not of other sounds? As I ponder his striking suggestion, I find it more easy to understand that great saying that whatsoever ye have spoken in darkness shall be heard in the light, and that which ye have whispered in the ear shall be shouted from the housetops.

The deeds we do, the words we say,