Mr. Will Bradley uses a very individual style of the Roman capital, often marked by a peculiar exaggeration in the width of the round letters, contrasted with narrow tall forms in such letters as E, F and L. Mr. Bradley has become more free and unconventional in his later work, but his specimens have always been noteworthy for beauty of line and spacing; see [111]. Figure [109] shows his employment of a brush-made variant of the Roman form;
and [110] shows both capitals and small letters drawn in his earlier and less distinctive style.
The ticket, [112], designed by Mr. A. J. Iorio, suggests what our theatre tickets might be made. In spacing and general arrangement of the letters and the freedom of treatment, Mr. Iorio's work may be compared with much of the