The form of letter preferred by Mr. Claude Fayette Bragdon is represented by the page of small letters, [59], which, as we have already said, are closely modeled on the type alphabet designed by Jenson. In Mr. Bragdon's version they represent an excellently useful and conservative style of small letter. They are shown in use, with harmonious capitals and italics, in the 'Literature' cover design, [121]. In the small book-plate, reproduced in [120], Mr.
Bragdon has used a very graceful variant, especially noteworthy for its freedom of serif treatment; and in the letter-heading, [122], he has employed an attractive capital of still different character.
Mr. H. L. Bridwell has originated the singularly excellent letter shown in [124], which is founded upon some of the modern French architectural forms. He uses it with great freedom and variety in spacing according to the effect that he desires to produce. In one instance he will jam the letters together in an oddly crowded line, while in another we find them spread far apart, but always with excellent results as regards the design as a whole. Something of this variation of spacing is shown in [123]. In the numerous theatrical posters which Mr. Bridwell has designed—and which too seldom bear his signature—he employs a great variety of lettering. Sometimes, of course, the freedom of his work is restricted by the conservatism of clients; but often the letter forms here illustrated add to the style and distinction of his designs.
