Erected in 1727 as a single dwelling, this house was occupied during the battle by the widow Deshler and her family. At that time there was no building of any sort between the Billmeyer and Chew houses. It was in front of this house that Washington stopped in his march down Germantown Avenue on October 4, 1777, having discovered that the Chew house was occupied by the British. There he conferred with his officers, ordered the attack and directed the battle. The tradition is that Washington stood on a horse block, telescope in hand, trying in vain to penetrate the smoke and fog and discover the force of the enemy intrenched within the Chew mansion. The stone cap of the horse block is still preserved, and the telescope is in the possession of Germantown Academy. The house suffered greatly at the hands of the British soldiers who were quartered there, and its woodwork still bears the marks of bullets and attempts to set it on fire. In 1789 it became the home of Michael Billmeyer, a celebrated German printer who carried on his trade there. [100]
Homes such as the Johnson and Billmeyer houses and numerous similar ones, two and a half stories high with gable roofs, dormer windows and a penthouse roof at the second-floor level, are characteristic examples of the best Pennsylvania farmhouse type which architects of the present day are perpetuating to a considerable extent. Whether of dressed local or ledge stone, they are distinct from anything else anywhere that comes within the Colonial category. In their design and construction sincerity of purpose is manifest; their sturdy simplicity and frank practicability give them a rare charm which appeals strongly to all lovers of the Colonial style in architecture.[101]
CHAPTER VII
DOORWAYS AND PORCHES
Invariably one associates a house with its front entrance, for the doorway is the dominant feature of the façade, the keynote so to speak. Truly utilitarian in purpose, and so lending itself more logically to elaboration for the sake of decorative effect, the doorway became the principal single feature of a Colonial exterior. When designed in complete accord with the house it lends distinction and charm to the building as a whole.
Like men, doorways have character and individuality. Indeed, in their individuality they reflect the character of those who built them. They symbolize the house as a whole and usually the mien of its occupants; they create the first impressions which the guest has of his host, and foretell more or less accurately the sort of welcome to be expected.
The houses of Philadelphia and vicinity, perhaps more than those of any other American city, possess the charm of architectural merit combined with historic interest. To appreciate more fully the important part played by Philadelphians in early[102] American affairs, we study their houses and home life, and as the primary index to the domestic architecture of the vicinity we direct our attention to the doorways and porches.
Like the houses, the doorways range in architectural pretension from the unaffected simplicity of Wyck to the stately elaboration of Cliveden and Mount Pleasant, and possess distinctive characteristics not seen elsewhere. Wealth made Philadelphia the most fashionable American city of the time, with all the attendant rivalries and jealousies of such a condition. Desiring to put the best foot foremost, elaboration of the doorway provided a ready means to display the self-esteem, affluence and social position of the owner. Naturally the Quaker severity of former years was reflected in many of these outward manifestations of home life, and it is a study of absorbing interest to note the proportions and resulting spirit, so unlike New England doorways, which the local builders gave to their adaptations from the same Renaissance motives. Summed up in a sentence, the high, narrow doorways of Philadelphia, for the most part without the welcoming side lights of New England, speak truly of Quaker severity and the exclusiveness of the old aristocratic families.