A sense of grievance was the first fruits of my experience as a war correspondent in Bulgaria. It was the general policy of the Bulgarian army and the Bulgarian military authorities to prevent war correspondents seeing anything of their operations. They wished nothing to interfere with the secrecy of their plans. There were only three British journalists who succeeded, in the ultimate result, in getting to the front and seeing the final battle of the first phase of the war, at Chatalja. There were over a hundred correspondents who attempted to go. Perhaps as I was one of three who succeeded, I do not think I, personally, have any reason to complain. But I found a good deal of vexation in the Bulgarian policy, which was to prevent any knowledge of their plans, their dispositions, their strategy, and their tactics, from getting beyond the small circle of their own General Staff. Even some of their generals in the field were kept in partial ignorance. Officers of high standing, unless they were on the General Staff, knew little of the general plan; they were informed only about the particular operations in which they were engaged.

This policy of secrecy was, however, a good thing from the point of view of getting to know the Bulgarian people. If the military authorities had given me facilities to go with the army and see its operations I should have become familiar with the Headquarters Staff, perhaps with a few regimental officers, but not with the great mass of the army nor with the Bulgarian people generally. But the refusal of facilities to accompany the army cast upon me the responsibility of trying to get through somehow to the front, and in the process of getting through I won to knowledge of the peasant soldiers and their home life.

Ultimately the residuum of my grievance was not with the secretive methods of the Bulgarians—they were wise and necessary—but with the wild fictions which some correspondents thought to be the proper response to that policy of secretiveness.

Returned to Kirk Kilisse from the Bulgarian lines at Chatalja, I amused myself in an odd hour with burrowing among a great pile of newspapers in the Censor's office, and reading here and there the war news from English, French, and Belgian papers.

Dazed, amazed, I recognised that I had seemingly mistaken the duties of a war correspondent. For some six weeks I had been following an army in breathless, anxious chase of facts; wheedling Censors to get some few of those facts into a telegraph office; learning then, perhaps, that the custom at that particular telegraph office was to forward telegrams to Sofia, a ten days' journey, by bullock-wagon and railway, to give them time to mature. Now here, piping hot, were the stories of the war.

There was the vivid story of the battle of Chatalja. This story was started seven days too soon; had the positions and the armies all wrong; the result all wrong; and the picturesque details were in harmony. But for the purposes of the public it was a very good story of a battle. Those men who, after great hardships, were enabled to see the actual battle found that the poor messages which the Censor permitted them to send took ten days or more in transmission to London. Why have taken all the trouble and expense of going to the front? Buda-Pesth, on the way there, is a lovely city; Bucharest also; and charming Vienna was not at all too far away if you had a good staff-map and a lively military imagination.

In yet another paper there was a vivid picture—scenery, date, Greenwich time, and all to give an air of artistic verisimilitude—of the signing of the Peace armistice. The armistice had not been signed at the time, was not signed for some days after. But it would have been absurd to have waited, since "our special correspondent" had seen it all in advance, right down to the embrace of the Turkish delegate and the Bulgarian delegate, and knew that some of the conditions were that the Turkish commissariat was to feed the Bulgarian troops at Chatalja and the Bulgarian commissariat the Turkish troops in Adrianople. If his paper had waited for the truth that most charming story would never have seen the light.

So, in a little book I shall one day bring out in the "Attractive Occupations" series on "How to be a War Correspondent," I shall give this general advice:

1. Before operations begin, visit the army to which you are accredited, and take notes of the general appearance of officers and men. Also learn a few military phrases of their language. Ascertain all possible particulars of a personal character concerning the generals and chief officers.

2. Return then to a base outside the country. It must have good telegraph communication with your newspaper. For the rest you may decide its locality by the quality of the wine, or the beer, or the cooking.