AN ALPINE VILLAGE, GRINDELWALD.
Mr. Symonds pictures the joy of man and beast at these annual pilgrimages in the footsteps of the spring:
The whole village is astir long before daybreak; and the animals, who know well what a good time is in store for them, are as impatient as their masters. The procession sets forth in a long train, cows lowing, bells tinkling, herdsmen shouting, old men and women giving the last directions about their favourite beasts to the herdsmen. Rude pictures of the Zug auf die Alpen, as it is called, may sometimes be seen pasted, like a frieze or bas-relief, along the low panelled walls of mountain cottages. These are the work, in many cases, of the peasants themselves, who write the names of the cattle over the head of each, attach preposterously huge bells to the proud leaders of the herd, and burden the hinds with vast loads of bread and household gear, and implements for making cheese. How many happy memories of summer holidays have been worked into those clumsy but symbolic forms by uncouth fingers in the silence of winter evenings, when possibly Phyllis sat by and wondered at her Damon's draughtsmanship! It takes two whole days and nights at least to get from Emsenau to the Panixer Alp. But when this journey is accomplished, the human part of the procession installs itself delightfully in little wooden huts, which allow the pure air from the glaciers to whistle through every cranny. The tired cows spread themselves over pastures which the snows have lately left, feeding ravenously on the delicious young grass, starred with gentians and primulas, and hosts of bright-eyed tiny flowers. And then begins a rare time for men and cattle.
It is a pity that our British race has lost the habit of making festivals of the great events of the pastoral and agricultural year. I have seen in Australia the annual moving of the sheep from the Monaro tableland to the "snow leases" of the Australian Alps, when the hot sun had scorched away all the herbage of the plains. It gives just as much inspiration for joy and thankfulness. But there is no festival. The sheep huddle along, the dogs at their heels. Brown-tanned, eager-eyed men ride beside, with the gladness of the expectation of the mountain fastnesses in their hearts but hardly a word of it on their lips. In England—which was once "Merrie Englande" because of its cheery rustic life—harvest festivals and rural feasts have almost vanished.
In many places the Alp-horn is still used to call the cows home at milking-time. It is a huge wooden trumpet, often six feet in length, and a Swiss can draw deep and powerful notes from its wide throat. Its compass consists of only a few notes, but when these ring and echo from height to height the effect is very striking and beautiful.
ALPINE HERDSMAN. The Piz Kesch in the distance.
Most striking is it at the hour of sunset. On the loftier Alps, to which no sounds of evening bell can climb, the Alp-horn proclaims the vesper hour. As the sun drops behind the distant snowy summits, the herdsman takes his huge horn and sends pealing along the mountain-side the first few notes of the Psalm "Praise ye the Lord." From Alp to Alp he is answered by his brother herdsmen, and the deep, strong notes echo from crag to crag in solemn melody. It is the signal for the evening prayer and for repose.
Around their dairying industry centres the best of the Swiss nation, and it is fitting that the "Ranz des Vaches" which calls the cattle home should be the national song of the Swiss. It is no single air, it is the "cow-call" developed by herdsmen through generations, and it varies in nearly every valley. Its common property is the shrill falsetto intonation of the chorus—the curious twist of the throat that results in the yodel. It is singularly sweet heard in Alpine air. There is a story that once a regiment of Swiss soldiers hired by France deserted, and made for their homes, when the band played the "Ranz des Vaches." The desertion was not a shameful one. The same men could have been driven away from their mercenary standards by no threat of death.