It was over the touching letter of an actress to her errant husband, entreating him to return and all would be forgiven. I had read it and smiled; so had Dorothy, and wept.
But it really was a beautiful letter, and I said so to Friswell.
“It is the most beautiful of the four actresses' letters to errant spouses for Divorce Court purposes that I have read within the past few months,” said he. “But they are all beautiful—all touching. It makes one almost ready to condone the sin that results in such an addition to the literature of the Law Courts. I wonder who is the best person to go to for such a letter—some men must make a speciality of that sort of work to meet the demands of the time. But wouldn't it be dreadful if the errant husband became so convicted of his trespass through reading the wife's appeal to return, that he burst into tears, called a taxi and drove home! But these Divorce Court pleading letters are of great value professionally they have quite blanketed the old lost jewel-case stunt as a draw. I was present and assisted in the reception given by the audience to the lady whose beautiful letter had appeared in the paper in the morning. She was overwhelmed. She had made up pale in view of that reception; and there was something in her throat that prevented her from going on with her words for some time. The 'poor things!' that one heard on all sides showed how truly sympathetic is a British audience.”
“I refuse to listen to your cynicism,” cried Dorothy; “I prefer to believe that people are good rather than bad.”
“And so do I, my dear lady,” said he, laughing. “But don't you see that if you prefer to think good of all people, you cannot exclude the poor husband of the complete letter-writer, and if you believe good of him and not bad, you must believe that his charming wife is behaving badly in trying to get a divorce.”
“She doesn't want a divorce: she wants him to come back to her and writes to him begging him to do so,” said she.
“And such a touching letter too,” I added.
“I have always found 'the profession,' as they call themselves, more touchy than touching,” said he. “But I admit that I never was so touched as when, at the funeral of a brother artist, the leading actor of that day walked behind the coffin with the brokenhearted widow of the deceased on his right arm and the broken-hearted mistress on the left. Talk of stage pathos!”
“For my part, I shall do nothing of the sort,” said I sharply. “I think, Friswell, that you sometimes forget that it was you who gave this place the name of A Garden of Peace. You introduce controversial topics—The Actor is the title of one of these, The Actress is the title of the other. Let us have done with them, and talk poetry instead.”
“Lord of the Garden of Peace! as if poetry was the antithesis of polemics—verses of controversies!” cried he. “Never mind! give us a poem—of The Peace.”