“But you know they were not real diamonds—only the diamonds of the poet's imagination,” he said.
“I do believe you are right,” said I, when I saw that he was in earnest. And then the mongoose story came to my mind. “They were not real diamonds,” I said. “But then the man wasn't a real company promoter.”
CHAPTER THE FOURTH
Two hundred years is not a long time to look back upon in the history of Yardley Parva: but it must have been about two hundred years ago that there were in the High Street some houses of distinction. They belonged to noblemen who had also mansions in the county, but who were too sociable and not sufficiently fond of books to be resigned to such isolation from their order as a mansion residence made compulsory. In the little town they were in touch with society of a sort: they could have their whist or piquet or faro with their own set every afternoon, and compare their thirsts at dinner later in the day.
One of these modest residences of a ducal family faces the street to-day, after suffering many vicissitudes, but with the character of its façade unimpaired. The spacious ground-floor has been turned into shops—it would be more correct to say that the shops had been turned into the ground-floor, for structurally there has been no drastic removal of walls or beams, it has not been subjected to any violent evisceration, only to a minor gastric operation—say for appendicitis. On the upper floors the beautiful proportions of the rooms remain uninjured, and the mantelpieces and the cornices have also been preserved.
The back of this house gives on to a part of the dry moat from which the screen-wall of our Castle rises, for Yardley had once a Castle of its own, and picturesque remnants of the Keep, the great gateway, and the walls remain with us. Forty feet from the bed of the moat on this side the walls rise, and the moat must have been the site of the gardens of the ducal house, curving to right and left for a couple of hundred yards, and his lordship saw his chance for indulging in one of the most transfiguring fads of his day by making two high and broad terraces against the walls, thereby creating an imposing range of those hanging gardens that we hear so much of in old gardening books. The Oriental tradition of hanging gardens may have been brought to Europe with one of those wares of Orientalism that were the result of the later crusades; for assuredly at one time the reported splendours of Babylon, Nineveh, and Eckbatana in this direction were emulated by the great in many places of the West, where the need for the protection of the great Norman castles was beginning to wane, and the high, bare walls springing from the fosses, dry and flooded, looked gaunt and grim just where people wanted a more genial outlook.
Powis Castle is the best example I can think of in this connection. No one who has seen the hanging gardens of these old walls can fail to appreciate how splendidly effective must have been the appearance of the terraces of Yardley when viewed from the moat below. But in the course of time, as the roads improved, making locomotion easier, the ducal mansion was abandoned in favour of another some miles nearer the coast, and the note of exclusiveness being gone from the shadow of the Castle walls, the terraces ceased to be cultivated; the moat being on a level with the High Street, it became attractive as a site of everyday houses, until in the course of time there sprang up a row, and then a public-house or two, and corporate offices and law-courts that only required a hanging garden at assize times, when smugglers and highwaymen were found guilty of crimes that made such a place desirable—all these backed themselves into the moat until it had to be recognised as a public lane though a cul-de-sac as it is to-day. At the foot of the once beautiful terraces outhouses and stables were built as they were needed, with the happiest irregularity, but joined by a flint wall over which the straggling survivors of the trees and fruits of the days gone by hang skeleton branches. One doorway between two of the stables opens upon a fine stairway made of solid blocks of Portland stone, leading into a gap in the screen-wall of the Castle, the terrace being to right and left, and giving access to the grounds beyond, the appreciative possessor of which writes these lines. Sic transit gloria. Another stone stairway serves the same purpose at a different place; but all the other ascents are of brick and probably only date back to the eighteenth century. They lead to some elevated but depressing chicken-runs.
I called the attention of our chief local antiquarian to the succession of broad terraces and suggested their decorative origin. He shook his head and assured me that they were ages older than the ducal residence in the High Street. They belonged to the Norman period and were coeval with the Castle walls. When I told him that I was at a loss to know why the Norman builder should first raise a screen-wall forty feet up from a moat, to make it difficult for an enemy to scale, and then go to an amazing amount of trouble to make it easily accessible to quite a large attacking force by a long range of terraces, he smiled the smile of the local antiquarian—a kindly toleration of the absurdities of the tyro—saying,—