“He does. It requires tact to get people to come to see Shakespeare,” said Archie. “But a chap can’t build a monument for himself without paying for it.”

“It would be ridiculous to expect it,” said Harold.

Pushing aside a magnificent piece of heavy drapery, Archie brought his friend into a passage illuminated by the electric light; and knocking at a door at the farther end, he was admitted by Mrs. Mowbray’s maid, into a prettily-furnished sitting-room and into the presence of Mrs. Mowbray, who was sitting robed in something very exquisite and cloud-like—not exactly a peignoir but something that suggested a peignoir.

She was like a picture by Romney. If one could imagine all the charm of all the pictures of Emma Hamilton (née Lyon) which Romney painted, meeting harmoniously in another creature, one would come within reasonable distance of seeing Mrs. Mowbray, as Harold saw her when he entered the room.

Even with the disadvantage of the exaggerated colour and the over-emphasized eye-lashes necessary for the searching illumination of the footlights, she was very lovely, Harold acknowledged.

But all the loveliness of Mrs. Mowbray produced but a trifling effect compared to that produced by her charm of manner. She was the most natural woman ever known.

The position of the natural man has been defined by an eminent authority. But who shall define the position of the natural woman?

It was Mrs. Mowbray’s perfect simplicity, especially when talking to men—as a matter of fact she preferred talking to men rather than to women—that made her seem so lovely—nay, that made a man feel that it was good for him to be in her presence. She was devoid of the smallest trace of affectation. She seemed the embodiment of truth. She never smiled for the sake of conventionality. But when she did smile, just as Harold entered the room, her head turning round so that her face was looking over her shoulder, she had all the spiritual beauty of the loveliest picture ever painted by Greuze, consequently the loveliest picture ever painted by the hand of man.

And yet she was so very human.

An Algy and an Eddy were already in the room—the first was a Marquis, the second was the eldest son of a duke. Both were handsome lads, of quiet manners, and both were in the Household Cavalry. Mrs. Mowbray liked to be surrounded by the youngest of men.