But here he reflected upon something that had occurred to him in connection with tête-à-tête interviews, and he thought it better not to pursue his course of indignant denunciation of the eminent historian.
He put on an overcoat and went to pay a visit to his sister, who, he had heard the previous day, was in town for a short time. In another week she would be entertaining a large party for the pheasant-shooting at her country-house in Brackenshire, and Harold was to be her guest as well as Edmund Airey and Helen Craven. It was to this visit that Lord Fotheringay had alluded in the course of his chamber interview with his son at Castle Innisfail.
Harold had now made up his mind that he would not be able to join his sister’s party, and he thought it better to tell her so than to write to her to this effect.
Mrs. Lampson was not at home, the servant said, when he had knocked at the door of the house in Eaton Square. A party was expected for lunch, however, so that she would probably return within half an hour.
Harold said he would wait for his sister, and went upstairs.
There was one person already in the drawingroom and that person was Lord Fotheringay.
Harold greeted him, and found that he was in an extremely good humour. He had never been in better health, he declared. He felt, he said, as young as the best of them—he prudently refrained from defining them—and he was still of the opinion that the Home—the dear old English Home—was where true and lasting happiness alone was to be found; and he meant to try the Principality of Monaco later on; for November was too awful in any part of Britain. Yes, he had seen the influence of the Home upon exiles in various parts of the world. Had he not seen strong men weep like children—like innocent children—at the sight of an English post-mark—the post-mark of a simple English village? Why had they wept, he asked his son, with the well-gloved forefinger of the professional moralist outstretched?
His son declined to hazard an answer.
They had wept those tears—those bitter tears—Lord Fotheringay said, with solemn emphasis, because their thoughts went back to that village home of theirs—the father, the mother, perhaps a sister—who could tell?
“Ah, my boy,” he continued, “‘’Mid pleasures and palaces’—‘’mid pleasures and’—by the way, I looked in at the Rivoli Palace last night. I heard that there was a woman at that place who did a new dance. I saw it. A new dance! My dear boy, it wasn’t new when I saw it first, and that’s—ah, never mind—it’s some years ago. I was greatly disappointed with it. There’s nothing indecent in it—I will say that for it—but there’s nothing enlivening. Ah, the old home of burlesque—the old home—that’s what I was talking about—the Home—the sentiment of the Home—”