She did not get further than the third line. The first two contained a very gross allusion to an old man’s marrying a young woman; but the third was so coarse that even the apathetic reader was startled and made a pause, during which she scanned the remainder of the manuscript, and in doing so her face became crimson. She handed the sheet to her husband, saying a few words to him, and then tried to gather up the threads of her smile, so to speak.
“I think that I had better go on to the next poem,” she said aloud. “The writer of the last must have inadvertently sent us the wrong leaf. He must have designed it for his favourite pothouse.”
This expression of opinion was received with general applause. Yet no one except Dick seemed to suspect Mathews of being the writer of the doggerel. But in the mind of Dick there was no doubt on the matter. He saw the triumphant leer on the man’s face, and could scarcely restrain himself from rushing at him and at least making an attempt to knock him down. He only held himself back by the reflection that before the evening had come, Mathews would have received a challenge from him. He made up his mind to challenge him, as certain as his name was Mathews. It would be in vain for people to assure him that this was not his quarrel, but Mr. Long’s; he would assert that, as the insult was directed against a lady, in the presence of his (Dick’s) sister, he was quite entitled to take it on himself to punish the perpetrator.
He had glanced at Mr. Long when Lady Miller made her pause, and had seen him smiling, while he addressed some words to Betsy, evidently regarding the creases of her glove, for immediately afterwards she held out her hand to him, and he straightened the little ripples on the silk.
Dick wondered if Mr. Long had failed to catch the insulting lines of the doggerel before the high-priestess had become aware of what she had been reading. Certainly he gave no sign of having caught their import. Dick rather hoped that he had not; he had no desire to cede to Mr. Long the part which he meant to play in this affair.
When he glanced again across the circle, he noticed that Mr. Long had disappeared. And the voice of Lady Miller, with its wrong inflections and its exaggerated emphasis on the adjectives, went on in its delivery of the even lines of the new poem, which was all about Phœbus and Phaeton, and Actæon and Apollo, and the Muses and Marsyas, though nobody seemed to care what it was about. It was very long, and it led nowhere. The circle gave it their silent inattention. Some yawned behind polite hands; one or two whispered. The last lines came upon all as a delightful surprise, for there was really no reason why it should ever end, and for that matter there was no reason why it should ever have begun.
This was, happily, the last of the contents of the urn. Most of the habitués of Bath-Easton felt that the day had been one of mediocrity; the entertainment would have been even duller than ordinary if it had not been for that shocking thing to which no one referred. Of course Tom Linley was awarded the wreath of bays, which, with some ceremony, the high-priestess laid upon his brows, making him look quite as ridiculous as he felt.
“O lud!” whispered Mrs. Abington to Mr. Walpole, who had got beside her, “O lud! if young gentlemen will write prize poems, they have a heavy penalty to pay for it.”
“Nay, my dear creature,” said he, “’tis but fitting that the victim calf should be decorated for the sacrificial altar.”
“I admit the calf,” said she, “but whose is the altar?”