“Quite right,” said Markham. “I don't feel exactly like an elephant for vigour, but you know what it is to feel strong without having any particular strength. I am that way.”
“Dreadfully brutal people I met to-night,” continued Mr. Glaston reflectively. “Sort of people Harwood could get on with. Talking actually about some wretched savage—some Zulu chief or other from whom they expect great things; as if the action of a ruffianly barbarian could affect any one. It was quite disgusting talk. I certainly would have come away at once only I was lucky enough to get by the side of a girl who seems to know something of Art—a Miss Vincent—she is quite fresh and enthusiastic on the subject—quite a child indeed.”
Markham thought it prudent to light a fresh cigar from the end of the one he had smoked, at the interval left by Mr. Glaston for his comment, so that a vague “indeed” was all that came through his closed lips.
“Yes, she seems rather a tractable sort of little thing. By the way, she mentioned something about your having become faint at Government House the other day, before you had seen all my pictures.”
“Ah, yes,” said Markham. “The change from the open air to that room.”
“Ah, of course. Miss Vincent seems to understand something of the meaning of the pictures. She was particularly interested in one of them, which, curiously enough, is the most wonderful of the collection. Did you study them all?”
“No, not all; the fact was, that unfortunate weakness of mine interfered with my scrutiny,” said Markham. “But the single glance I had at one of the pictures convinced me that it was a most unusual work. I felt greatly interested in it.”
“That was the Aholibah, no doubt.”
“Yes, I heard your description of how if came to be painted.”
“Ah, but that referred only to the marvellous expression of the face—so saturate—so devoured—with passion. You saw how Miss Gerald turned away from it with a shudder?”