“Well, well, my dear Fanny, I shall not deprive you of your Daddy Crisp,” said her stepmother. “Poor Mr. Crisp must not be left to the tender mercies of Susan or Lottie. He is most hospitable, and his house at Chessington makes a pleasant change for us now and again, and he took a great fancy to you from the first.”

“Daddy Crisp was always Fanny’s special friend,” said Esther. “And I am sure that it is good practice for Fanny to write to him.”

“Oh, she has long ago given up that childish nonsense,” cried the mother. “Poor Fanny made a pretty bonfire of her scribblings, and she has shown no weakness in that way since she took my advice in regard to them.”

Fanny was blushing furiously and giving all her attention to her work.

“She has still a sense of the guilt that attaches to the writing of stories, though I am sure that no one in this house remembers it against her,” said Esther with a laugh, as Fanny’s blushes increased. “But indeed I had not in my mind Mr. Crisp’s advantage to her in this way, but only in regard to her correspondence. She has become quite an expert letter-writer since he induced her to send him her budget, and indeed I think that good letter-writing is as much of an accomplishment in these careless days as good singing—that is ordinary good singing—the good singing that we hear from some of father’s pupils—Queenie Thrale, par exemple!”

“Your father is a good teacher, but the best teacher in the world cannot endow with a good singing-voice anyone who has not been so gifted by Nature,” said the elder lady. “’Tis somewhat different, to be sure, in regard to correspondence, and I do not doubt that Fanny’s practice in writing to good Mr. Crisp will one day cause her to be regarded as one of the best letter-writers in the family, and that is something. It is a ladylike accomplishment, and one that is worth excelling in; it gives innocent pleasure to so many of her friends who live at a distance; and your father can always obtain plenty of franks, Mr. Charmier and Mr. Thrale are very obliging.”

Fanny was a little fidgety while her eldest sister and her stepmother were discussing her in a tone of indulgence which was more humiliating than open reprobation would have been. But she knew that the truth was, that from her earliest years she was looked on as the dunce of the family, and she was so morbidly self-conscious that she was quite ready to accept their estimate of her. The silent member of a musical family soon finds out how she is looked on by the others; not with unkindness—quite the contrary—but only as if she were to be slightly pitied for her deficiency. But she had a secret or two, the treasuring of which in her heart prevented her from having any feeling of humiliation in the presence of her splendid sister, whom all the world sought to attract to their houses, especially when there were guests anxious to be entertained by the sweet singing of a handsome young woman with a very presentable young husband. Fanny had her secrets and cherished them with a fearful joy, for she knew that any day might remove either or both of them, and then there would be nothing left for her in the household but to put her heart into her needlework. But one cannot do needlework without needles, and if she were to put her heart into her work, and if every needle had a point, the result would, she knew, be a good many prickings.

She trusted that she might never be condemned to put her heart into her needlework.