Then he knelt on the rug before her and took both her hands in his own—a hand in each of his hands—as they lay on her dress. His face was close to hers: she was in a low chair. Each could hear the sound of the other’s breathing—the sound of the other’s heart-beats. That duet went on for some minutes—the most perfect music in life—the music which is life itself—the music by which man becomes immortal.
“Do not hold me any longer, Bertie,” said she. “Kiss me and go away—away. Oh, why should you ever come back? I believe that, if you loved me, you would go away and never come back. Oh, what is this farce that is being played between us? It is unworthy of either of us!”
“A farce? A tragedy!” said he. “I want you, Ella. I told you that I could not live without you.”
“You want me? You want me, Bertie?” said she. Tears were in her eyes and in her voice, for there was to her a passion of pathos in those words of his. “You want me, and you know that it is only my soul that shall be lost if I give myself to you. God has decreed that only the soul of the woman pays the penalty of the man’s longing for her.”
“You soul shall be saved, not lost,” said he. “At present it is your soul that is in peril, when you give your sweetness to the man whom you have ceased to love—ah! whom you never loved. You will save your soul with me.”
“I shall lose it for all eternity,” said she. “Do you think that I complain? Do you fancy for a moment that I grumble at the decree of God, or that I rail against it as unjust?”
“You are a woman.”
“I am a woman, and therefore you know I will one day be ready to lose my soul for you, Bertie, my love. Oh, my dear, dear love, you say you want me?”
“Oh, my God!”
He had sprung to his feet and was pacing the room before her.