Before the Short line was opened the Number One and Number Five trains caught practically all the coast passenger business. They were immensely heavy trains; month after month we sent out two and three sections of them each way, and they always ran into our division on the night trick. Blackburn handled all that main line business with a mileage of eight hundred and five, besides the mountain branches, say four hundred more; and the passenger connections came off them, mostly at night, for One and Five.

Now, three men wrestle with Blackburn's mileage; but that was before they found out that despatchers, although something tougher than steel, do wear out. Moreover, we were then a good way from civilization and extra men. If a despatcher took sick there was no handy way of filling in; it was just double up and do the best you could.

One lad in the office those days everybody loved: Fred Norman. He was off the Burlington. A kid of a fellow who looked more like a choir boy than a train despatcher. But he was all lightning—a laughing, restless, artless boy, open as a book and quick as a current. There was a better reason still, though, why they loved Fred: the boy had consumption; that's why he was out in the mountains, and his mother in Detroit used to write Bucks asking about him, and she used to send us all things in Fred's box. His flesh was as white and as pink as mountain snow, and he had brown eyes; he was a good boy, and I called him handsome. I reckon they all did. Fred brought out a tennis set with him, the first we ever saw in Medicine Bend, and before he had been playing an hour he had Neighbor, big as a grizzly, and Callahan, with a pipe in one hand and a tennis guide in the other, chasing all over the yard after balls; and Hailey trying to figure forty love, while Fred taught Bucks the Lawford drive. I don't say what he was to me; only that he taught me all I ever knew or ever will know about handling trains; and, though I was carrying messages then, and he was signing orders, we were really like kids together.

Fred for a long time had the early trick. He came on at four in the morning and caught most of the through freights that got away from the River behind the passenger trains. There was no use trying to move them in the night trick. Between the stock trains eastbound and the both-way passenger trains, if a westbound freight got caught in the mountains at night the engine might as well be standing in the house saving fuel—there wasn't time to get from one siding to another. So Fred Norman took the freights as they came and he handled them like a ringmaster. When Fred's whip cracked, by Joe! a train had to dance right along, grade or no grade. Fred gave them the rights and they had the rest to do—or business to do with the superintendent or with Doubleday, Neighbor's assistant in the motive power.

There was only one tendency in Fred Norman's despatching that anybody could criticise: he never seemed, after handling trains on the plains, to appreciate what our mountain grades really meant, and when they pushed him he sent his trains out pretty close together. It never bothered him to handle a heavy traffic; he would get the business through the mountains just as fast as they could put it at the Division; but occasionally there were some hair-curling experiences among the freights on Norman's trick trying to keep off each other's coat-tails. One night in July there was a great press moving eight or nine trains of Montana grassers over the main line on some kind of a time contract—we were giving stockmen the earth then. Everybody was prodding the Mountain Division, and part of the stuff came in late on Blackburn and part of it early on Fred, who was almost coughing his head off about that time, getting up at 3.30 every morning. Fred at four o'clock took the steers and sent them train after train through the Rat River country like bullets out of a Maxim gun. It was hot work, and before he had sat in an hour there was a stumble. The engineer of a big ten-wheeler pulling twenty-five cars of steers had been pushing hard and, at the entrance of the cañon, set his air so quick he sprung one of the driver shoes and the main rod hit it. The great steel bar doubled up like a man with a cramp. It was showing daylight; they made stop, and, quick as men could do it, flagged both ways. But the last section was crowding into the cañon right behind; they were too close together, that was all there was to it. The hind section split into the standing train like a butcher knife into a sandwich. It made a mean wreck—and, worse, it made a lot of hard feeling at the Wickiup.

When the investigation came it was pretty near up to Fred Norman right from the start, and he knew it. But Blackburn, who shielded him when he could, just as all the despatchers did, because he was a boy—and a sick one among men—tried to take part of the blame himself. He could afford it, Blackburn; his shoulders were broad and he hadn't so much as a fly-speck on his book. Bucks looked pretty grave when the evidence was all in, and around the second floor they guessed that meant something for Norman. Fred himself couldn't sleep over it, and to complicate things the engineer of the stalled train, who hated Doubleday, hinted quietly that the trouble came in the first place from Doubleday's new-fangled idea of putting the driver shoes behind instead of in front of the wheels. Then the fat was in the fire. Fred got hold of it, and, boy-like—sore over his own share in the trouble and exasperated by something Doubleday was reported to have said about him over at the house—lighted into Doubleday about the engine failure.

Doubleday was right in his device, as time has proved; but it was unheard of then and moreover, the assistant master mechanic sensitive to criticism at any time, was a fearful man to run against. Sunday morning he and Norman met in the trainmaster's office. They went at each other like sparks, and when Doubleday, who had a hard mouth, began cursing Fred, the poor little despatcher, rankling with the trouble, anyway half sick, went all to pieces and flew at the big fellow like a sparrowhawk. He threw a wicked left into the master mechanic before Doubleday could lift a guard. But Walter Doubleday, angry as he was, couldn't strike Fred. He caught up both the boy's hands and pushed him, struggling madly, back against the wall to slap his face, when a froth of blood stained Fred's lips and he fell fainting; just at that minute Blackburn stepped into the room.

It wasn't the kind of a time—they weren't the kind of men—to ask or volunteer explanations. Blackburn was on Doubleday in a wink, and before Walter could right himself the night despatcher had thrown him headlong across the room. As the operators rushed in, Blackburn and the tall master mechanic sprang at each other in a silent fury. No man dare say where it might have ended had not Fred Norman staggered between them with his hands up—but the blood was gushing from his mouth.

It was pretty serious business. They caught him as he fell, and the boy lay on Blackburn's arm limp as a dead wire: nobody thought after they saw that hemorrhage that he would ever live to have another. I was scared sick, and I never saw a man so cut up as Doubleday. Blackburn was cool in a second, for he saw quicker than others and he knew there was danger of the little despatcher's dying right there in his tracks. Blackburn stood over him, as much at home facing death as he was in a fight or in a despatcher's chair. He appeared to know just how to handle the boy to check the gush, and to know just where the salt was and how to feed it, and he had Doubleday telephoning for Dr. Carhart and me running to a saloon after chopped ice in a jiffy. When anybody was knocked out, Blackburn was as regular a nurse as ever you saw; even switchmen, when they got pinched, kind of looked to Blackburn.

That day the minute he got Fred into Carhart's hands there was Fred's trick to take care of, and nobody, of course, but Blackburn to do it. He sat in and picked up the threads and held them till noon; then Maxwell relieved him. Doubleday was waiting outside when Blackburn left the chair. I saw him put out his hand to the night despatcher. They spoke a minute, and went out and up Third Street toward Fred Norman's room. It was a gloomy day around the depot. Everybody was talking about the trouble, and the way it had begun and the way it had ended. They talked in undertones, little groups in corners and in rooms with the doors shut. There wasn't much of that in our day there, and it was depressing. I went home early to bed, for I was on nights. But the wind sung so, even in the afternoon, that I couldn't quiet down to sleep.