He had been in the office more than once before and knew about where the cabinet containing the surgical instruments stood. A connecting door led from the room he had entered to the office proper. He tried this. It was unlocked and he left it closed. The curtains of the windows were drawn and he took a match from his pocket, lighted it and looked around. The first thing he saw was the articulated skeleton suspended near the door from the ceiling. It would have been a shock had he not seen it before and been familiar with the label fastened to the breastbone reciting that this had once been Flat Nose George, an early day desperado of the high country.
Turning from this relic, Laramie set about his work, disdaining to inspect various gruesome specimens in alcohol ranged along a shelf. Aided by an occasional match which he lighted and shielded in his left hand, he found the cabinet and with his key opened the door. The flame of his match too carefully guarded, flickered in his fingers, failed and went out. He thrust it hastily into one pocket, drew a fresh match from another and was about to scratch it across his leather wristlet when he heard a door open. The next moment he saw, under the door leading from his room to the consulting room, a flash of light.
Awkward as it was to be interrupted, he faced the surprise with such composure as he could muster. Who could it be? he asked himself. The family was accounted for, the house locked. He scratched the match again. As it flared up he looked into the cabinet, found the packet of needles, tore a card of them in two, slipped one piece into a waistcoat pocket and closed the cabinet door. He turned to listen to the office intruder. Laramie hoped that nothing would bring the unwelcome visitor into the operating room, but as he stood awaiting developments the unlocked door was pushed open and a tiny flashlight was thrown into the room in which he stood.
Fortunately Laramie outside the circle of light was left in the dark. The intruder was a woman. He shrank back and she luckily turned her light from him but only to encounter, as she stepped forward, Flat Nose George, no less forbidding now than he had been in life. The woman with the light started back in horror and a sharp little exclamation betrayed her identity; Laramie was at once aware that he was facing Kate Doubleday.
Nothing could have pleased him less. In so small a room it was impossible to escape detection. He could almost hear her breathe and would have reveled in her presence so close, but that the apprehension of frightening her weighed on him like a mountain. Hardly daring to breathe himself he cursed the erratic doctor's skeleton pet—hung, of all places, where every little while he was cutting people open.
The skeleton had already set the girl's nerves on edge. What would happen if she discovered a live man as well as the ghastly remains of a dead one—not to mention alcoholic clippings from other subnormal notables of the mountains? With the flashlight she was evidently searching for something and Laramie surmised it must be the electric light switch: "I think," he suggested in as steady a tone as possible, "you'll find the light button to the right of the door behind you."
He was prepared for a scream or a swoon. Instead, the flashlight was turned directly on him: "Who are you?" came sharply and quickly from behind it.
"I might ask the same question. You can see I'm Jim Laramie. I can guess you're Kate Doubleday."
"I am, and I've come here for dressings for wounded men at Pettigrew's. What are you doing here?" she demanded, peremptorily.
His lips were sealed for more reasons than one. Least of all would it do for him to expose Doctor Carpy's friendliness and embroil him in a feud which Laramie knew he ought to face alone.