In this wholly impromptu and happy way the day was opened. The band, laboriously trained for years by the local jeweler—said to be able to blow a candle through an inch board with his South Bend B flat cornet—now formed in marching order, the grimed fireman gamely in place even after a night run, with his silver contrabass. At an energetic signal from their leader they struck up a march and started down street with the offering as a pledge of what they might be expected to do. They were not called on, however, to do all, for at noon the Bear Dance Band arrived from the West and an hour later came the crack thirty-two-piece military band from Medicine Bend, carrying more gold on their lacings and their horns than the local musicians carried in the savings bank.
By the time the noon whistle blew at the roundhouse every trail and road into Sleepy Cat showed dust—some of them an abundance. The hotel was naturally the center of attraction, and Main Street looked like a Frontier Day crowd. The Reservation, too, sent a delegation for the occasion and mingling in the jostling but good-natured crowd were chiefs, bucks and squaws, who, in a riot of war bonnets, porcupine waistcoats, gay trappings and formal blankets, lent yellows and reds and blues to the scene. All entrances to the Mountain House were decorated and a stream of visitors poured in and out, with congratulations for Tenison, who received them at the bar in the big billiard hall opening on Main Street.
By evening the hall presented an extraordinary scene. Every element that went to make up the shifting life of the frontier could be picked from the crowd that filled the room. Most numerous and most aggressive in the spectacle, cattlemen and range riders in broad hats, leathern jackets and mottled waistcoats, booted and spurred and rolling in their choppy steps on pointed heels, moved everywhere—to and from the bar, around the pool tables and up and down the broad flight of stairs leading to the second floor gambling rooms. At the upper end of the long bar there was less crowding than nearer the street door and at this upper end three men, somewhat apart from others, while nominally drinking, stood in confab. First among them, Harry Van Horn was noticeable. His strong face, with its hunting nose, reflected his active mind, and as he spoke or listened to one or the other of his companions—standing between them—his lively eyes flashed in the overhead light. On his left stood Tom Stone, foreman of the Doubleday ranch. His head, carried habitually forward, gave him the appearance of always looking out from under his eyebrows; and the natural expression of his face, bordering on the morose, was never lighted by more than a strained smile—a smile that suggested a grin, that puckered the corners of his eyes and drew hard furrows down his cheeks, but evidenced nothing akin to even the skim-milk of human kindness.
On Van Horn's left stood an older man of massive features, the owner of the largest ranch in the north country, Barb Doubleday.
Miners from Thief River, with frank, fearless faces, broad-throated, belted and shifted, and with brawny arms for pick and sledge and doublejack, moved to and from the bar like desert travelers breathing in an oasis. Men from the short spillway valleys of the Superstition Range—the coyotes and wolves of the Spanish Sinks—were easily to be identified by their shifty eyes and loud laughter and handy six-shooters. Moving in a little group rather apart from these than mingling with them, talking and drinking more among themselves, were men from the Falling Wall—men professedly "ranching" on the upper waters of the Horse, the Turkey and Crazy Woman creeks, tributaries of the Falling Wall river—in point of fact, rustlers between whom and the big cattlemen of the range there always existed a deadly enmity and at times open warfare.
At two card tables placed together in the upper inner corner of the room sat a little party of these Falling Wall men smoking and drinking in leisurely, or, more correctly, in preliminary fashion, for the evening was still young; and inspecting the moving crowd at the bar. At the head of the table sat the ex-cowboy and ex-pugilist, Stormy German, his face usually, and now, reddened with liquor—square-shouldered, square-faced and squat; a man harsh-voiced and terse, of iron endurance and with the stubbornness of a mule; next him sat Yankee Robinson, thin-faced and wearing a weatherbeaten yellow beard. And Dutch Henry was there—bony, nervous, eager-eyed, with broken English stories of drought and hardship on the upper Turkey. These three men—brains and resource of several less able but not less unscrupulous companions who preyed on the cattle range north of Sleepy Cat—led the talk and were the most carefully listened to by the men that surrounded them.
It was later that two men entered the room from the hotel office together. The contained, defiant walk of the slightly heavier and taller of the two was characteristic, and without the black beard, deep eyes and the pallor of his face, would almost have identified him as Abe Hawk; while in the emotionless, sandy features of his companion and in his more frank, careless make-up, the widely known ranchman of the Falling Wall, Jim Laramie, was easily recognized.
Hawk, separating from his companion, walked to the right. German hailed him and Hawk paused before the table at which the former prize fighter sat with his friends. Each of these in turn had something effusive to say to Hawk. Hawk listened to everything without a change of countenance—neither smile nor word moved him in the competition to arouse his interest. When all had had their fling of invitation and comment he refused an oft-repeated invitation to sit down: "I might injure your reputations," he said grimly, and moved unconcernedly on.
Van Horn's eyes had not missed the inconspicuous entrance of the two Falling Wall men: "There's the man himself, right now," he exclaimed, looking toward Laramie.
"No better time to talk to him, either, than right now," added Barb Doubleday hoarsely. "Take him back into the office, Harry. When you're through come up to the room."