If you have ever gone over our line to the mountains or to the coast you may remember at McCloud, where they change engines and set the diner in or out, the pretty little green park to the east of the depot with a row of catalpa-trees along the platform line. It looks like a glass of spring water.
If it happened to be Sankey's run and a regular West End day, sunny and delightful, you would be sure to see standing under the catalpas a shy, dark-skinned girl of fourteen or fifteen years, silently watching the preparations for the departure of the Overland.
And after the new engine had been backed, champing down, and harnessed to its long string of vestibuled sleepers; after the air hose had been connected and the air valves examined; after the engineer had swung out of his cab, filled his cups, and swung in again; after the fireman and his helper had disposed of their slice-bar and shovel, and given the tender a final sprinkle, and the conductor had walked leisurely forward, compared time with the engineer, and cried, "All Abo-o-o-ard!"
Then, as your coach moved slowly ahead, you might notice under the receding catalpas the little girl waving a parasol, or a handkerchief, at the outgoing train—that is, at conductor Sankey; for she was his daughter, Neeta Sankey. Her mother was Spanish, and died when Neeta was a wee bit. Neeta and the Limited were Sankey's whole world.
When Georgie Sinclair began pulling the Limited, running west opposite Foley, he struck up a great friendship with Sankey. Sankey, though he was hard to start, was full of early-day stories. Georgie, it seemed, had the faculty of getting him to talk; perhaps because when he was pulling Sankey's train he made extraordinary efforts to keep on time—time was a hobby with Sankey. Foley said he was so careful of it that when he was off duty he let his watch stop just to save time.
Sankey loved to breast the winds and the floods and the snows, and if he could get home pretty near on schedule, with everybody else late, he was happy; and in respect of that, as Sankey used to say, Georgie Sinclair could come nearer gratifying Sankey's ambition than any runner we had.
Even the firemen used to observe that the young engineer, always neat, looked still neater the days that he took out Sankey's train. By-and-by there was an introduction under the catalpas; after that it was noticed that Georgie began wearing gloves on the engine—not kid gloves, but yellow dogskin—and black silk shirts; he bought them in Denver.
Then—an odd way engineers have of paying compliments—when Georgie pulled into town on No. 2, if it was Sankey's train, the big sky-scraper would give a short, hoarse scream, a most peculiar note, just as they drew past Sankey's house, which stood on the brow of the hill west of the yards. Then Neeta would know that No. 2 and her father, and naturally Mr. Sinclair, were in again, and all safe and sound.
When the railway trainmen held their division fair at McCloud, there was a lantern to be voted to the most popular conductor—a gold-plated lantern with a green curtain in the globe. Cal Stewart and Ben Doton, who were very swell conductors, and great rivals, were the favorites, and had the town divided over their chances for winning it.
But during the last moments Georgia Sinclair stepped up to the booth and cast a storm of votes for old man Sankey. Doton's friends and Stewart's laughed at first, but Sankey's votes kept pouring in amazingly. The favorites grew frightened; they pooled their issues by throwing Stewart's vote to Doton; but it wouldn't do. Georgie Sinclair, with a crowd of engineers—Cameron, Moore, Foley, Bat Mullen, and Burns—came back at them with such a swing that in the final round up they fairly swamped Doton. Sankey took the lantern by a thousand votes, but I understood it cost Georgie and his friends a pot of money.