Through the Dunning ranch the Crawling Stone River makes a far bend across the valley to the north and east. The extraordinary volume of water now pouring through the Box Canyon exposed ten thousand acres of the ranch to the caprice of the river, and if at the point of its tremendous sweep to the north it should cut back into its old channel the change would wipe the entire body of ranch alfalfa lands off the face of the valley. With the heat of the lengthening June days a vast steam rose from the chill waters of the river, marking in ominous windings the channel 181 of the main stream through a yellow sea which, ignoring the usual landmarks of trees and dunes, flanked the current broadly on either side. Late in the afternoon of the day that Dicksie with Marion sought McCloud, a storm drifted down the Topah Topah Hills, and heavy showers broke across the valley.

At nightfall the rain had passed and the mist lifted from the river. Above the bluffs rolling patches of cloud obscured the face of the moon, but the distant thunder had ceased, and at midnight the valley near the bridge lay in a stillness broken only by the hoarse calls of the patrols and far-off megaphones. From the bridge camp, which lay on high ground near the grade, the distant lamps of the track-walkers could be seen moving dimly.

Before the camp-fire in front of McCloud’s tent a group of men, smoking and talking, sat or lay sprawled on tarpaulins, drying themselves after the long day. Among them were the weather-beaten remnants of the old guard of the mountain-river workers, men who had ridden in the caboose the night that Hailey went to his death, and had fought the Spider Water with Glover. Bill Dancing, huge, lumbering, awkward as a bear and as shifty, was talking, because with no apparent effort he could talk all night, and was a valuable 182 man at keeping the camp awake. Bill Dancing talked and, after Sinclair’s name had been dropped from the roll, ate and drank more than any two men on the division. A little apart, McCloud lay on a leather caboose cushion trying to get a nap.

“It was the day George McCloud came,” continued Dancing, spinning a continuous story. “Nobody was drinking––Murray Sinclair started that yarn. I was getting fixed up a little for to meet George McCloud, so I asked the barber for some tonic, and he understood me for to say dye for my whiskers, and he gets out the dye and begins to dye my whiskers. My cigar went out whilst he was shampooing me, and my whiskers was wet up with the dye. He turned around to put down th’ bottle, and I started for to light my cigar with a parlor-match, and, by gum! away went my whiskers on fire––burnt jus’ like a tumbleweed. There was the barbers all running around at once trying for to choke me with towels, and running for water, and me sitting there blazing like a tar-barrel. That’s all there was to that story. I went over to Doc Torpy’s and got bandaged up, and he wanted me for to go to the hospit’l––but I was going for to meet George McCloud.” Bill raised his voice a little and threw his tones carelessly over toward the caboose cushion: “And I was the on’y man on the platform when his train pulled in. His car was on the hind end. I walked back and waited for some one to come out. It was about seven o’clock in the evening and they was eating dinner inside, so I set up on the fence for a minute, and who do you think got out of the car? That boy laying right over there. ‘Where’s your dad?’ says I; that’s exactly what I said. ‘Dead,’ says he. ‘Dead!’ says I, surprised-like. ‘Dead,’ says he, ‘for many years.’ ‘Where’s the new superintendent?’ says I. ‘I’m the new superintendent,’ says he. Well, sir, you could have blowed me over with a air-hose. ‘Go ’way,’ I says. ‘What’s the matter with your face, Bill?’ he says, while I was looking at him; now that’s straight. That was George McCloud, right over there, the first time I ever set eyes on him or him on me. The assertion was met with silence such as might be termed marked.

SCENE FROM THE PHOTO-PLAY PRODUCTION OF “WHISPERING SMITH.” © American Mutual Studio.

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“Bucks told him,” continued Bill Dancing, in corroborative detail, “that when he got to Medicine Bend one man would be waiting for to meet him. ‘He met me,’ says Bucks; ‘he’s met every superintendent since my time; he’ll meet you. Go right up and speak to him,’ Bucks says; ‘it’ll be all right.’”

“Oh, hell, Bill!” protested an indignant chorus.