“Isn’t it risky?” I asked.
“I tried the stairs this afternoon,” she glowed, “they don’t creak: no one will hear, so don’t sleep or I’ll surprise you”—By way of sealing the compact, I put my hand up her clothes and caressed her sex; it was hot and soon opened to me.
“There now, Sir, go!” she smiled, “or you’ll make me very naughty and I have a lot to do!”
“How do you mean ‘naughty’,” I said, “tell me what you feel? please!”
“I feel my heart beating”, she said, “and, and—oh! wait till tonight and I’ll try to tell you, dear!” and she pushed me out of the door.
For the first time in my life I notice here that the writer’s art is not only inferior to reality in keenness of sensation and emotion; but also more same, monotonous even, because incapable of showing the tiny, yet ineffable differences of the same feeling which difference of personality brings with it. I seem to be repeating myself in describing Kate’s love after Mrs. Mayhew’s, making the girl’s feelings a fainter replica of the woman’s. In reality the two were completely different. Mrs. Mayhew’s feelings long repressed flamed with the heat of an afternoon in July or August; while in Kate’s one felt the freshness and cool of a summer morning, shot through with the suggestion of heat to come. And this comparison even is inept because it leaves out of the account, the effect of Kate’s beauty, the great hazel eyes, the rosied skin, the superb figure. Besides there was a glamour of the spirit about Kate: Lorna Mayhew would never give me a new note that didn’t spring from passion; in Kate I felt a spiritual personality and the thrill of undeveloped possibilities. And still using my utmost skill, I haven’t shown my reader the enormous superiority of the girl and her more unselfish love. But I haven’t finished yet.
Smith had given me “The Mill on the Floss” to read; I had never tried George Eliot before and I found that this book almost deserved Smith’s praise. I had read till about one o’clock when my heart heard her; or was it some thrill of expectance? The next moment my door opened and she came in with the mane of hair about her shoulders and a long dressing gown reaching to her stockinged feet. I got up like a flash; but she had already closed the door and bolted it; I drew her to the bed and stopped her from throwing off the dressing-gown: “let me take off your stockings first”, I whispered, “I want you all imprinted on me!”
The next moment, she stood there naked, the flickering flame of the candle throwing quaint arabesques of light and shade on her beautiful ivory body: I gazed and gazed: from the navel down she was perfect; I turned her round and the back too, the bottom even was faultless though large; but alas! the breasts were far too big for beauty, too soft to excite! I must think only of the bold curve of her hips, I reflected, the splendor of the firm thighs, the flesh of which had the hard outline of marble and her—sex? I put her on the bed and opened her thighs: her pussy was ideally perfect.
At once I wanted to get into her; but she pleaded: “please, dear, come into bed: I’m cold and want you.” So in I got and began kissing her.
Soon she grew warm and I pulled off my nightshirt and my middle finger was caressing her sex that opened quickly: “E—E!” she said drawing in her breath quickly: “it still hurts.” I put my sex gently against hers, moving it up and down slowly till she drew up her knees to let me in; but as soon as the head entered, her face puckered a little with pain and as I had had a long afternoon, I was the more inclined to forbear and accordingly I drew away and took place beside her: