On Thursday, the 11th, the case was continued before Sir John Bridge, and in the end both the accused were committed for trial. Again Mr. Humphreys applied for bail, and again the magistrate refused to accept bail.

Now to refuse bail in cases of serious crime may be defended, but in the case of indecent conduct it is usually granted. To run away is regarded as a confession of guilt, and what could one wish for more than the perpetual banishment of the corrupt liver, consequently there is no reason to refuse bail. But in this case, though bail was offered to any amount, it was refused peremptorily in spite of the fact that every consideration should have been shown to an accused person who had already had a good opportunity to leave the country and had refused to budge. Moreover, Oscar Wilde had already been criticised and condemned in a hundred papers. There was widespread prejudice against him, no risk to the public in accepting bail, and considerable injury done to the accused in refusing it. His affairs were certain to be thrown into confusion; he was known not to be rich and yet he was deprived of the power to get money together and to collect evidence just when the power which freedom confers was most needed by him.

The magistrate was as prejudiced as the public; he had no more idea of standing for justice and fair play than Pilate; probably, indeed, he never gave himself the trouble to think of fairness in the matter. A large salary is paid to magistrates in London, £1,500 a year, but it is rare indeed that any of them rises above the vulgarest prejudice. Sir John Bridge not only refused bail but he was careful to give his reasons for refusing it: he had not the slightest scruple about prejudicing the case even before he had heard a word of the defence. After hearing the evidence for the prosecution he said:

"The responsibility of accepting or refusing bail rests upon me. The considerations that weigh with me are the gravity of the offences and the strength of the evidence. I must absolutely refuse bail and send the prisoners for trial."

Now these reasons, which he proffered voluntarily, and especially the use of the word "absolutely," showed not only prejudice on the part of Sir John Bridge, but the desire to injure the unfortunate prisoner in the public mind and so continue the evil work of the journalists.

The effect of this prejudice and rancour on the part of the whole community had various consequences.

The mere news that Oscar Wilde had been arrested and taken to Holloway startled London and gave the signal for a strange exodus. Every train to Dover was crowded; every steamer to Calais thronged with members of the aristocratic and leisured classes, who seemed to prefer Paris, or even Nice out of the season, to a city like London, where the police might act with such unexpected vigour. The truth was that the cultured æsthetes whom I have already described had been thunderstruck by the facts which the Queensberry trial had laid bare. For the first time they learned that such houses as Taylor's were under police supervision, and that creatures like Wood and Parker were classified and watched. They had imagined that in "the home of liberty" such practices passed unnoticed. It came as a shock to their preconceived ideas that the police in London knew a great many things which they were not supposed to concern themselves with, and this unwelcome glare of light drove the vicious forth in wild haste.

Never was Paris so crowded with members of the English governing classes; here was to be seen a famous ex-Minister; there the fine face of the president of a Royal society; at one table in the Café de la Paix, a millionaire recently ennobled, and celebrated for his exquisite taste in art; opposite to him a famous general. It was even said that a celebrated English actor took a return ticket for three or four days to Paris, just to be in the fashion. The mummer returned quickly; but the majority of the migrants stayed abroad for some time. The wind of terror which had swept them across the Channel opposed their return, and they scattered over the Continent from Naples to Monte Carlo and from Palermo to Seville under all sorts of pretexts.

The gravest result of the magistrate's refusal to accept bail was purely personal. Oscar's income dried up at the source. His books were withdrawn from sale; no one went to see his plays; every shop keeper to whom he owed a penny took immediate action against him. Judgments were obtained and an execution put into his house in Tite Street. Within a month, at the very moment when he most needed money to fee counsel and procure evidence, he was beggared and sold up, and because of his confinement in prison the sale was conducted under such conditions that, whereas in ordinary times his effects would have covered the claims against him three times over, all his belongings went for nothing, and the man who was making £4,000 or £5,000 a year by his plays was adjudicated a bankrupt for a little over £1,000. £600 of this sum were for Lord Queensberry's costs which the Queensberry family—Lord Douglas of Hawick, Lord Alfred Douglas and their mother—had promised in writing to pay, but when the time came, absolutely refused to pay. Most unfortunately many of Oscar's MSS. were stolen or lost in the disorder of the sheriff's legal proceedings. Wilde could have cried, with Shylock, "You take my life when you do take away the means whereby I live." But at the time nine Englishmen out of ten applauded what was practically persecution.