A Saint (upper order). Lanckoronski, Vienna.
The Trinity (fresco). S. Maria Novella, Florence.
All the remaining frescoes of the Brancacci Chapel save the parts and panels now universally assigned to Filippino Lippi.
[36]. Schmarsow, Masaccio Studien, bd. 3. p. 27, 8.
[37]. Andrea del Castagno, see the important articles by Herbert P. Horne in the Burlington Magazine, Vol. VII, 1905. Richard Offner, in Art in America, Vol. VII, pp. 227–35, first published the admirable portrait in Mr. Morgan’s Library, New York. A magnificent tournament shield with the figure of a David is in the Widener Collection, Elkins Park, Penna., and was first published by Guido Cagnola in Rassegna d’ Arte, Vol. XIII (1913), p. 49.
Andrea worked at Venice in 1442. See G. Fiocca, Burlington Magazine, Vol. XL, p. 11.
[38]. Alesso Baldovinetti. See E. Londi, Alesso Baldovinetti, Firenze, 1907.
CHAPTER IV.—FRA FILIPPO LIPPI AND THE NEW NARRATIVE STYLE
[39]. Fra Filippo Lippi. Edward C. Strutt, Fra Filippo Lippi, London, 1906. Vasari’s Life is capital. Robert Browning’s poem, in Men and Women, an admirable side-light.
[40]. Benozzo Gozzoli. I accept Col. G. F. Young’s date for these frescoes. See The Medici, New York, 1909, Vol. I., Chapter vii, where there is a good analysis of this decoration.