Her mingled moods produced an unusual softness. Crocker felt it and wondered as she gave him her hand and had him sit for a prudent moment outside. All the hot way up the valley he had had a sense of a crisis. It was odd to be summoned whither he had been drifting for four years, and now the sight of Emma disarmed, perplexed him. It seemed ominous. One finds such transparent kindness in clever people generally at parting, when one would be remembered for one's self and not for a phrase. Then Crocker for an instant glimpsed the wilder hope that the softening was for him and not for an occasion. Emma had never seemed more desirable than to-day. A white strand or two in her yellow hair, the tiny wrinkles at the corners of her steady grey eyes, and the untimely thinness of her long white fingers made him eager to ward off the advancing years at her side, to keep unchanged, as it were, these precious evidences that she had lived.

Some sense of his tenderness she must have had, for as she chatted gravely about his farming, about the lateness of the almond blossoms, about everything except people, who always tempted her sharp tongue, her manner became almost maternally solicitous. "To-day you shall have your first tea in my den, Crocker" (so much she presumed on her two years' seniority), she said at last, "and you are commanded to like my things." "What has thy servitor done to deserve this grace?" he managed to reply. "Nothing," she said, "graces never are for deserts. Or, rather, you poor fellow, you have been asked to tramp out here in this glare and really deserve to sit where it is cool." As they walked through the hall and the little drawing-room Crocker still felt uneasily that no road with Emma Verplanck could be quite as smooth as it seemed.

The den deserved its name, being a tiny brown room with a single arched window that looked askance at the cypresses and bell towers of Fiesole. Beside a couch, an Empire desk, and solid shelves of books, the den contained only a couple of chairs and the handful of things that Emma laughingly called her collection. As Crocker took in vaguely bits of Hispano-Moresque and mellow ivories, a broad medal or so and a well-poised Renaissance bronze, a Japanese painting on the lighted wall, and one or two drawings by great contemporaries, Emma's friends, he was amazed at the quality of everything. A sense of extreme fastidiousness rebuked, in a way, his more indiscriminate zeal as a collector. Uncomfortably near him on the dark wall he began to be aware of something marvellous on old gold when tea interrupted his observations. Tea with Emma was always engrossing. The mere practice and etiquette of it brought the gentlewoman in her into a lovely salience. Her hands and eyes became magical, her talk light and constant without insistency. A symbolist might imagine eternal correspondence between the amber brew and her sunny hair. It was easy to adore Emma at tea, and generally she did not resent a discreetly pronounced homage. But this afternoon she grew almost petulant with Crocker as they talked at random, and finally laughed out impatiently: "I really can't bear your ignoring my St Michael, especially as you have never seen him before and may never see him again. St. Michael, Mr. Morton Crocker."

"My respects," smiled Crocker, as he turned lazily toward the gilded panel. There was the warrior saint, his lines stiff, expressive and hieratic, his armour glistening in grey-blue fastened with embossed gilded clasps; here and there gorgeous hints of a crimson doublet—the unmistakable enamel, the grave and delicate tension of a masterpiece by the rare Venetian, Carlo Crivelli. Crocker gasped and started from his seat, losing at once his cup, his muffin, and his manners. "By Jove, Miss Verplanck, Emma, it's my missing St. Michael. Where did you ever find it? I must have it." His toasted muffin rolled unconsidered beside the spoon at his feet. Emma retrieved the cup—one of a precious six in old Meissen—he retained the saucer painfully gripped in both hands.

"I was afraid it was," she answered, "but look well and be sure."

"Of course we must be sure. You'll let me measure it, won't you? It's the only way." Assuming his permission he climbed awkwardly upon the chair, happily a stout Italian construction, and as she watched him with a strange pity, he read off from a pocket rule: "One metre thirty-seven. A shade taller than mine, but there is no frame. Thirty-one centimetres; the same thing. Yes, it is my missing St. Michael," and as he climbed down excitedly he hurried on: "How strange to find it here. I never talked to you about it, did I? That's odd, too. I've been hunting for it for years. You didn't know, I suppose. I want it awfully. What can we do about it?" For Crocker, this fairly amounted to a speech, and before replying Emma gave him time to sit down, and thrust another cup of tea into his unwilling hands. Having thus occupied and calmed him, she said, "I'm very sorry, I hoped it would turn out to be something else. I only learned last week that you wanted it. You have seldom talked about your collecting to me. There's nothing to do about it. I wish there were. You want it so much. But I can't give it to you. That wouldn't do. And I won't sell it to you. I wouldn't to anybody, and then that wouldn't do, either. So there we are. Only think of their talk, and you'll see the situation is impossible."

Crocker's eyes flashed. "There's a lot we might do about it if you will, Emma. Damn the St. Michael. If his case is so complicated, and I don't see it, leave him out of the reckoning between us. Can't you see what I need and want?"

"They wouldn't see it, and I'm shamefully afraid of them," she said simply, and then she added indignantly, "How could you dare, to-day? I can't trust you for any perception, can I?"

Not perceiving that her scruple was belated, Crocker blurted out ruefully. "I'm an ass, and I'm sorry and I'm not. It's what I have wanted to say these many days, and perhaps it might as well be so. But I've wounded you and for that I'm more than sorry."

"Let's not talk about it," Emma said gently. "Of course I'll forgive an old friend for saying a little more than he should. Only you must stop here. You'll forgive me, too, for owning your St. Michael. I'm honestly sorry it happened so. I would dismiss him if I could, for he is likely to cost me a good friend. But he creates a kind of impossibility between us, doesn't he, and for a while it's best you shouldn't come, not till things change with you. It's kindest so, isn't it, Crocker?"