A limousine drew up, and Benson, Jimmie Dale's chauffeur, opened the door.

“Home, Mr. Dale?” he asked cheerily, touching his cap. “Yes, Benson—home,” said Jimmie Dale absently, and stepped into the car.

It was a luxurious car, as everything that belonged to Jimmie Dale was luxurious—and he leaned back luxuriously on the cushions, extended his legs luxuriously to their full length, plunged his hands into his overcoat pockets—and then a change stole strangely, slowly over Jimmie Dale.

The sensitive fingers of his right hand in the pocket had touched, and now played delicately over a sealed envelope that they had found there, played over it as though indeed by the sense of touch alone they could read the contents—and he drew his body gradually erect.

It was another of those mysterious missives from—HER. The texture of the paper was invariably the same—like this one. How had it come there? Collusion with the coat boy at the club? That was hardly probable. Perhaps it had been there before he had entered the club for dinner—he remembered, now, that there had been several people passing, and that he had been jostled slightly in crossing the sidewalk. What, however, did it matter? It was there mysteriously, as scores of others had come to him mysteriously, with never a clew to her identity, to the identity of his—he smiled a little grimly—accomplice in crime.

He took the envelope from his pocket and stared at it. His fingers had not been at fault—it was one of hers. The faint, elusive, exquisite fragrance of some rare perfume came to him as he held it.

“I'd give,” said Jimmie Dale wistfully to himself—“I'd give everything I own to know who you are—and some day, please God, I will know.”

Jimmie Dale tore the envelope very gently, as though the tearing almost were an act of desecration—and extracted the letter from within. He began to read aloud hurriedly and in snatches:

“DEAR PHILANTHROPIC CROOK: Charleton Park Manor—Markel's house is the second one from the gates on the right-hand side—library leads off reception hall on left, door opposite staircase—telephone in reception hall near vestibule entrance, left-hand side—safe is one of your father's make, No. 14,321—clothes closet behind the desk—probably will be kept in cash box—five servants; two men, three maids—quarters on top story—Markel and wife occupy room over library—French windows to dining room on opposite side of the house—opening on the lawn—get it TO-NIGHT, Jimmie—TO-MORROW WOULD BE TOO LATE—dispose of it—see fit—Henry Wilbur, Marshall Building, Broadway—fifth story—”

Through the glass-panelled front of the car, Jimmie Dale could see his chauffeur's back, and the hand that held the letter dropped now to his side, and Jimmie Dale stared—at his chauffeur's back. Then, presently, he read the letter again, as though committing it to memory now; and then, tearing the paper into tiny shreds, as he did with every one of her communications, he reached out of the window and allowed the little pieces to filter gradually from his hand.