The Belovéd Traitor

by Frank L. Packard

"Mon Dieu!"—the words came hoarsely from Jean's throat. They were cheering again. He moved, like iron impelled to the magnet, across the room. He looked at Myrna. He had never seen her eyes so bright.

"It is only the beginning, Jean"—she seemed half hysterical herself. "But in Paris, Jean—in Paris you shall see!"

They were at the door, and suddenly she flung it wide open. There was a roar of voices. She was smiling at him from the doorway. They were shouting his name. They rushed at him, and, lifting him shoulder high, carried him to the automobile. Fame—was this only a taste of it? No more than that? In Paris—what was it he should see in Paris? They were shouting again. It was like some fiery draught that his soul was drinking in. He craved it with a lust that was passionate, all-possessing. He cried out to those around him. He did not know what he said. And then Bidelot was speaking to him, and the automobile was whirling down the road, followed by the shouts of all Bernay-sur-Mer.

All Bernay-sur-Mer? No; not all. For as the car flashed by, halfway between the little bridge and the eastern headland, the fringe of bushes by the roadside parted, a dark head lifted, and Marie-Louise gazed after it. It was all so strange, and she could not quite understand. Once, twice before, on other evenings, she had watched the car pass. They were all of the great world those men with Jean in the car; of the great world of which she knew nothing, only that the village spoke of the strangers with awe. And now Jean was one of them—and they seemed so proud of him, so proud to make him one of themselves, these great men. And she was proud of him, too, oh, so proud and glad and happy—only back of it all was a little chill of dread and fear, and she could not quite understand. She had smiled at Jean from the edge of the crowd that was clustered around the door of the barn those days when he had been working at the clay—and then she had stolen away and cried so bitterly. She did not know why she had done that. If only some one would tell her what it all meant! Was it because Jean was going away for a little time? The dark eyes widened slowly. Was it only for a little time? She had not talked to Jean since that morning on the beach, and that was so long, long ago. It wasn't Jean's fault, though, nearly so much as hers. She had really tried to evade him. No, not to evade Jean; but to evade the others out of the shyness and diffidence for the great strangers who were now constantly around him. Would there be always these strangers around him?

She drew herself up suddenly, her small hands fiercely clenched. She hated these strangers! That was it! They were always coming between Jean and herself! They were always there! They made of Jean a different man; they made him one of themselves, and in doing that they were snatching him away from her, taking him across what seemed like some vast gulf that she could not traverse herself. She hated this Monsieur American, and this mademoiselle; and she hated the day they had come, for it had all begun that day. The red burned angrily in her cheeks, the lithe form quivered in a quick rush of passion—and then, instantly penitent, with a little sob, she flung herself down upon the grass.

No; she did not hate them! What had she said! The bon Dieu would be very angry with her for that. And they had been very kind and good to her, this monsieur and this mademoiselle. And to hate all the others was to commit a sin, for were they not there because Jean—she raised her head quickly, parting the bushes again, as she caught the sound of steps and voices from the road.

It was Monsieur Bliss speaking in French to Father Anton, who walked between Monsieur Bliss and mademoiselle.

"Why should he not work here? Why should he go to Paris? What a question, my dear Monsieur le Curé! It is because here is nothing; because in Paris there is everything. It is there that he will study the great works of famous sculptors; it is there that he will have models and facilities for his work; it is there that he will have inspiration from the art around him; it is there that, with his genius, he will sift and choose, profiting from the different schools even as he creates a new one for himself; and it is there that the leading men of France will unite with the social world to make the name of Jean Laparde known and honoured wherever art is known."

"But," said Father Anton anxiously, "but he will come back—to Marie-Louise."

Henry Bliss's hand fell sympathetically upon the old priest's shoulder, as he shook his head.