An instant he stood glancing critically about him; then the roller shade over the window was lifted aside, the window itself, on carefully oiled hinges, was opened noiselessly, closed again—and, hugged close against the wall of the building, hidden in the black shadows, Jimmie Dale, so silent as to be almost uncanny in his movements, crept along the few intervening feet to the fence that enclosed the courtyard. Here, next to the wall, a loosened plank swung outward at a touch, and he was standing in a narrow, black areaway beyond. There was only the depth of the house between himself and the street, and he paused now, crouched motionless against the wall, listening. He heard no footfalls from the pavement—only, like a distant murmur, the night sounds from the Bowery, a block away—only the muffled roar of an elevated train. The way was presumably clear, and he moved forward again—cautiously. He reached the front of the building, which, like the old Sanctuary, was a tenement of the poorer class, paused once more, this time to peer quickly up and down the dark, ill-lighted cross street—and, satisfied that he was safe from observation, stepped out on the sidewalk, and began to walk nonchalantly along to the Bowery.

And here, at the corner, under a street lamp he consulted his watch. It was ten o’clock! He smiled a little ironically. Certainly, they would hardly expect him as early as that! Well, he would be a little ahead of time, that was all!


CHAPTER III. THE MAN WITH THE SCAR

Jimmie Dale walked on again, rapidly now, heading down the Bowery. At the expiration of perhaps ten minutes, he turned east; and still a few minutes later, in the neighbourhood of Chatham Square, plunged suddenly into a dark alleyway—there was, of course, as there was to all such places, an unobtrusive entrance to Malay John’s.

His lips tightened a little as he moved quietly forward. To venture here in an unknown character was not far from being tantamount, if he were discovered, to taking his life in his hands. Malay John was a queer customer and a bad enemy, though counted “straight” by the underworld, and trusted by the crooks and near-crooks as few other men were in the Bad Lands. And, if Malay John was queer, the place he ran was queerer still. Ostensibly he conducted a dance hall, and a profitable one at that; but below the dance hall, known only to the initiated, deep down in a sub-cellar, was perhaps the most remunerative gambling joint and pipe lay-out in Crimeland.

Jimmie Dale halted before a doorway in the alley. The rear of a low building rose black and unlighted above him. A confused jangle from a tinny piano, accompanying a blatant cornet and a squeaky violin, mingled with the dull scrape of many feet, laughter, voices, singing—the dance hall at the front of the building was in full swing. He glanced sharply up and down the dark alleyway, then, leaning forward, placed his ear to the panel of the door—and the next instant opened the door softly and stepped inside.

It was pitch black here, but it was familiar ground to Larry the Bat in the old days, and therefore to Smarlinghue in the new. The short passageway in which he was standing terminated, he knew, in a rear entrance to the dance hall, which was always kept locked and used only by Malay John himself, and which was just at the foot of the stairs that led upward to Malay John’s combination of private den, office, and sleeping apartment; while at the side of the passage, half way along, was that other door, always guarded on the inside, that required an “open sesame” to gain admittance to the dive below.

And now he crept stealthily past this latter door, reached the staircase, and went swiftly up to the landing above. Here another door barred his way, and here again he placed his ear to the panel—but this time to listen, it seemed, interminably. Every faculty was strained and alert now. He could take no chances here, and the uproar from the dance hall below, while it had safeguarded his ascent of the stairs, was confusing now and by no means an unmixed blessing.