Bird studies with a camera

by Frank M. Chapman

From the perch, some forty feet aloft, the grave little creature surveys the scene below with an expression of combined wisdom and thoughtfulness which makes a laugh seem wanton foolishness. At the border of dusk and dark he flies out to feed, often descending to the ground and remaining there for some moments while catching insects. Occasionally he takes his prey from the tree trunks, perhaps a cicada struggling from its shell, and on several occasions I have thought he captured food on the wing. Sometimes the supper hunt leads him to the edge of the croquet lawn, where from the earth or the back of a garden bench he becomes an interested spectator of the last game. When the young appear, later in the month, the evergreens seem alive with Owls, who flit about and utter querulous little calls difficult of description. Toward the end of July, doubtless after the molt is completed, presumably the adults—for never more than two are heard—begin to sing; and this habit of post-nuptial singing seems not to be confined to the Screech Owl, for about this time the deep-toned, resounding notes of the Barred Owl come up from the woods. Throughout August and September the wailing whistle, which is ever welcome for its spirit of wildness, is heard nightly, and as the plaintive notes tremble on the hushed air we invariably say, “Hark, there’s the Owl!”

My experience as bird photographer about home, I must admit, has consisted chiefly in a series of encouraging failures which have borne no tangible results. Let us hope, however, that the few pictures here presented will prove as suggestive to the reader as they are to their maker, who, although he offers such inadequate proof in support of his belief, is far too well convinced of the possibilities of home photography to go afield without saying at least a word in its behalf.

THE CHICKADEE
A Study in Black and White

Very early in my experience as a hunter I became acquainted with a small black-and-white bird, who not only announced himself with unmistakable distinctness, but did so at such close range that one could form a very clear idea of his appearance; and thus because of his notes and trustfulness I learned to know the Chickadee by name years before I was aware that the woods were tenanted by dozens of other more common but less fearless birds.

With regret for the universality of the instinct, I found that to see was to desire. I had felt exactly the same longing in regard to other birds, and had thrown many a stone in a fruitless effort to get possession of the half-mysterious wild creatures which always eluded me; but the Chickadee came within range of my bean-shooter and soon paid the penalty of misplaced confidence. The little ball of flesh and fluffy feathers was perfectly useless, so after a day or two, the length of time depending on the temperature, it was thrown away.

My curiosity concerning the Chickadee being satisfied, and the bird’s tameness making it too easy a mark even for a bean-shooter, I entered on a new phase of Chickadee relations. Strangely enough, the killing of the bird seemed, from my point of view, to constitute an introduction to a creature which before I had known only imperfectly, and my acquaintance with the Chickadee may be said to have begun when I picked up the first bird that fell before my aim. However the Chickadee may have regarded my somewhat questionable manner of gaining his friendship, he has since given unmistakable evidences of his approval of my treatment of his kind. He always replies to my greeting, often coming many yards in answer to my call, and on a number of occasions he has honored me above most men by alighting on my hand.

When, in more recent years, the gun which succeeded the bean-shooter was in turn replaced by a camera, I found that the Chickadee’s tameness made him a mark for my later as he had been for my earlier efforts in bird hunting. Now, however, I believe I may speak for him as well as for myself, and say that the results obtained are more satisfactory to us both. It was in Central Park, New York city, in February, 1899, that I went on one of my first Chickadee hunts with a camera. Incidentally the locality gave emphasis to the advantages of the camera over any other weapon. Imagine the surprise of the park police had I ventured on their precincts with a gun on my shoulder! But with a camera I could snap away at pleasure without any one’s being the wiser—many of my “snaps,” I confess being attended by exactly this result. At this time, through the efforts of an enthusiastic and patient bird lover, who had improved on the bird-catching legend by using nuts instead of “salt” and by substituting bill for “tail,” three Chickadees in the Ramble had become so remarkably tame that they would often flutter before one’s face and plainly give expression to their desire for food, which they took from one’s hand without the slightest evidence of fear. Sometimes they even remained to pick the nut from a shell while perched on one’s finger, anon casting questioning glances at their host; but more often they preferred a perch where they could give their entire attention to the nut which was held between their feet, and pecked at after the manner of Blue Jays.

24. Chickadee on ground.