"Yes, yes, it might have been worse."
"We'll never see them again, our 'Matrimonial Objects,'" said Blix, "and they'll never know about us; but we have brought them together. We've started a romance. Yes, I think we've done a good day's work. And now, Condy, I think we had best be thinking of home ourselves. I'm just beginning to get most awfully sleepy. What a day we've had!"
A sea fog, or rather THE sea fog—San Francisco's old and inseparable companion—had gathered by the time they reached the top of the Washington Street hill. Everything was wet with it. The asphalt was like varnished ebony. Indistinct masses and huge dim shadows stood for the houses on either side. From the eucalyptus trees and the palms the water dripped like rain. Far off oceanward, the fog-horn was lowing like a lost gigantic bull. The gray bulk of a policeman—the light from the street lamp reflected in his star—loomed up on the corner as they descended from the car.
Condy had intended to call his diver's story "A Submarine Romance," but Blix had disapproved.
"It's too 'Twenty Thousand Leagues Under the Sea,'" she had said. "You want something much more dignified. There is that about you, Condy, you like to be too showy; you don't know when to stop. But you have left off red-and-white scarfs, and I am very glad to see you wearing white shirt-fronts instead of pink ones."
"Yes, yes, I thought it would be quieter," he had answered, as though the idea had come from him. Blix allowed him to think so.
But "A Victory Over Death," as the story was finally called, was a success. Condy was too much of a born story-teller not to know when he had done something distinctly good. When the story came back from the typewriter's, with the additional strength that print lends to fiction, and he had read it over, he could not repress a sense of jubilation. The story rang true.
"Bully, bully!" he muttered between his teeth as he finished the last paragraph. "It's a corker! If it's rejected everywhere, it's an out-of-sight yarn just the same."
And there Condy's enthusiasm in the matter began to dwindle. The fine fire which had sustained him during the story's composition had died out. He was satisfied with his work. He had written a good story, and that was the end of it. No doubt he would send it East—to the Centennial Company—to-morrow or the day after—some time that week. To mail the manuscript meant quite half an hour's effort. He would have to buy stamps for return postage; a letter would have to be written, a large envelope procured, the accurate address ascertained. For the moment his supplement work demanded his attention. He put off sending the story from day to day. His interest in it had abated. And for that matter he soon discovered he had other things to think of.