“But I don't like steam beer now.”
It was so with everything. Unfortunately, Trina had cultivated tastes in McTeague which now could not be gratified. He had come to be very proud of his silk hat and “Prince Albert” coat, and liked to wear them on Sundays. Trina had made him sell both. He preferred “Yale mixture” in his pipe; Trina had made him come down to “Mastiff,” a five-cent tobacco with which he was once contented, but now abhorred. He liked to wear clean cuffs; Trina allowed him a fresh pair on Sundays only. At first these deprivations angered McTeague. Then, all of a sudden, he slipped back into the old habits (that had been his before he knew Trina) with an ease that was surprising. Sundays he dined at the car conductors' coffee-joint once more, and spent the afternoon lying full length upon the bed, crop-full, stupid, warm, smoking his huge pipe, drinking his steam beer, and playing his six mournful tunes upon his concertina, dozing off to sleep towards four o'clock.
The sale of their furniture had, after paying the rent and outstanding bills, netted about a hundred and thirty dollars. Trina believed that the auctioneer from the second-hand store had swindled and cheated them and had made a great outcry to no effect. But she had arranged the affair with the auctioneer herself, and offset her disappointment in the matter of the sale by deceiving her husband as to the real amount of the returns. It was easy to lie to McTeague, who took everything for granted; and since the occasion of her trickery with the money that was to have been sent to her mother, Trina had found falsehood easier than ever.
“Seventy dollars is all the auctioneer gave me,” she told her husband; “and after paying the balance due on the rent, and the grocer's bill, there's only fifty left.”
“Only fifty?” murmured McTeague, wagging his head, “only fifty? Think of that.”
“Only fifty,” declared Trina. Afterwards she said to herself with a certain admiration for her cleverness:
“Couldn't save sixty dollars much easier than that,” and she had added the hundred and thirty to the little hoard in the chamois-skin bag and brass match-box in the bottom of her trunk.
In these first months of their misfortunes the routine of the McTeagues was as follows: They rose at seven and breakfasted in their room, Trina cooking the very meagre meal on an oil stove. Immediately after breakfast Trina sat down to her work of whittling the Noah's ark animals, and McTeague took himself off to walk down town. He had by the greatest good luck secured a position with a manufacturer of surgical instruments, where his manual dexterity in the making of excavators, pluggers, and other dental contrivances stood him in fairly good stead. He lunched at a sailor's boarding-house near the water front, and in the afternoon worked till six. He was home at six-thirty, and he and Trina had supper together in the “ladies' dining parlor,” an adjunct of the car conductors' coffee-joint. Trina, meanwhile, had worked at her whittling all day long, with but half an hour's interval for lunch, which she herself prepared upon the oil stove. In the evening they were both so tired that they were in no mood for conversation, and went to bed early, worn out, harried, nervous, and cross.
Trina was not quite so scrupulously tidy now as in the old days. At one time while whittling the Noah's ark animals she had worn gloves. She never wore them now. She still took pride in neatly combing and coiling her wonderful black hair, but as the days passed she found it more and more comfortable to work in her blue flannel wrapper. Whittlings and chips accumulated under the window where she did her work, and she was at no great pains to clear the air of the room vitiated by the fumes of the oil stove and heavy with the smell of cooking. It was not gay, that life. The room itself was not gay. The huge double bed sprawled over nearly a fourth of the available space; the angles of Trina's trunk and the washstand projected into the room from the walls, and barked shins and scraped elbows. Streaks and spots of the “non-poisonous” paint that Trina used were upon the walls and wood-work. However, in one corner of the room, next the window, monstrous, distorted, brilliant, shining with a light of its own, stood the dentist's sign, the enormous golden tooth, the tooth of a Brobdingnag.
One afternoon in September, about four months after the McTeagues had left their suite, Trina was at her work by the window. She had whittled some half-dozen sets of animals, and was now busy painting them and making the arks. Little pots of “non-poisonous” paint stood at her elbow on the table, together with a box of labels that read, “Made in France.” Her huge clasp-knife was stuck into the under side of the table. She was now occupied solely with the brushes and the glue pot. She turned the little figures in her fingers with a wonderful lightness and deftness, painting the chickens Naples yellow, the elephants blue gray, the horses Vandyke brown, adding a dot of Chinese white for the eyes and sticking in the ears and tail with a drop of glue. The animals once done, she put together and painted the arks, some dozen of them, all windows and no doors, each one opening only by a lid which was half the roof. She had all the work she could handle these days, for, from this time till a week before Christmas, Uncle Oelbermann could take as many “Noah's ark sets” as she could make.