Like most men, Wilbur had to walk when he was thinking hard. He sent the dory back to the schooner with word to Moran that he would take a walk around the beach and return in an hour or two. He set off along the shore in the direction of Fort Mason, the old red-brick fort at the entrance to the Golden Gate. At this point in the Presidio Government reservation the land is solitary. Wilbur followed the line of the beach to the old fort; and there, on the very threshold of the Western world, at the very outpost of civilization, sat down in the lee of the crumbling fortification, and scene by scene reviewed the extraordinary events of the past six months.
In front of him ran the narrow channel of the Golden Gate; to his right was the bay and the city; at his left the open Pacific.
He saw himself the day of his advent aboard the “Bertha” in his top hat and frock coat; saw himself later “braking down” at the windlass, the “Petrel” within hailing distance.
Then the pictures began to thicken fast: the derelict bark “Lady Letty” rolling to her scuppers, abandoned and lonely; the “boy” in the wheel-box; Kitchell wrenching open the desk in the captain's stateroom; Captain Sternersen buried at sea, his false teeth upside down; the black fury of the squall, and Moran at the wheel; Moran lying at full length on the deck, getting the altitude of a star; Magdalena Bay; the shark-fishing; the mysterious lifting and shuddering of the schooner; the beach-combers' junk, with its staring red eyes; Hoang, naked to the waist, gleaming with sweat and whale-oil; the ambergris; the race to beach the sinking schooner; the never-to-be-forgotten night when he and Moran had camped together on the beach; Hoang taken prisoner, and the hideous filing of his teeth; the beach-combers, silent and watchful behind their sand breastworks; the Chinaman he had killed twitching and hic-coughing at his feet; Moran turned Berserker, bursting down upon him through a haze of smoke; Charlie dying in the hammock aboard the schooner, ordering his funeral with its “four-piecee horse”; Coronado; the incongruous scene in the ballroom; and, last of all, Josie Herrick in white duck and kid shoes, giving her hand to Moran in her boots and belt, hatless as ever, her sleeves rolled up to above the elbows, her white, strong arm extended, her ruddy face, and pale, milk-blue eyes gravely observant, her heavy braids, yellow as ripening rye, hanging over her shoulder and breast.
A sudden explosion of cold wind, striking down blanket-wise and bewildering from out the west, made Wilbur look up quickly. The gray sky seemed scudding along close overhead. The bay, the narrow channel of the Golden Gate, the outside ocean, were all whitening with crests of waves. At his feet the huge green ground-swells thundered to the attack of the fort's granite foundations. Through the Gate, the bay seemed rushing out to the Pacific. A bewildered gull shot by, tacking and slanting against the gusts that would drive it out to sea. Evidently the storm was not far off. Wilbur rose to his feet, and saw the “Bertha Millner,” close in, unbridled and free as a runaway horse, headed directly for the open sea, and rushing on with all the impetus of wind and tide!
XIV. THE OCEAN IS CALLING FOR YOU
A little while after Wilbur had set off for the station, while Moran was making the last entries in the log-book, seated at the table in the cabin, Jim appeared at the door.
“Well,” she said, looking up.
“China boy him want go asho' plenty big, seeum flen up Chinatown in um city.”