“They can kill me. They can shoot me down, but I'll die—die fighting for my home—before I'll give in to this.”
At length Annixter made himself heard:
“All out of the room but the ranch owners,” he shouted. “Hooven, Caraher, Dyke, you'll have to clear out. This is a family affair. Presley, you and your friend can remain.”
Reluctantly the others filed through the door. There remained in the harness room—besides Vanamee and Presley—Magnus Derrick, Annixter, old Broderson Harran, Garnett from the Ruby rancho, Keast from the ranch of the same name, Gethings of the San Pablo, Chattern of the Bonanza, about a score of others, ranchers from various parts of the county, and, last of all, Dabney, ignored, silent, to whom nobody spoke and who, as yet, had not uttered a word. But the men who had been asked to leave the harness room spread the news throughout the barn. It was repeated from lip to lip. One by one the guests dropped out of the dance. Groups were formed. By swift degrees the gayety lapsed away. The Virginia reel broke up. The musicians ceased playing, and in the place of the noisy, effervescent revelry of the previous half hour, a subdued murmur filled all the barn, a mingling of whispers, lowered voices, the coming and going of light footsteps, the uneasy shifting of positions, while from behind the closed doors of the harness room came a prolonged, sullen hum of anger and strenuous debate. The dance came to an abrupt end. The guests, unwilling to go as yet, stunned, distressed, stood clumsily about, their eyes vague, their hands swinging at their sides, looking stupidly into each others' faces. A sense of impending calamity, oppressive, foreboding, gloomy, passed through the air overhead in the night, a long shiver of anguish and of terror, mysterious, despairing.
In the harness room, however, the excitement continued unchecked. One rancher after another delivered himself of a torrent of furious words. There was no order, merely the frenzied outcry of blind fury. One spirit alone was common to all—resistance at whatever cost and to whatever lengths.
Suddenly Osterman leaped to his feet, his bald head gleaming in the lamp-light, his red ears distended, a flood of words filling his great, horizontal slit of a mouth, his comic actor's face flaming. Like the hero of a melodrama, he took stage with a great sweeping gesture.
“ORGANISATION,” he shouted, “that must be our watch-word. The curse of the ranchers is that they fritter away their strength. Now, we must stand together, now, NOW. Here's the crisis, here's the moment. Shall we meet it? I CALL FOR THE LEAGUE. Not next week, not to-morrow, not in the morning, but now, now, now, this very moment, before we go out of that door. Every one of us here to join it, to form the beginnings of a vast organisation, banded together to death, if needs be, for the protection of our rights and homes. Are you ready? Is it now or never? I call for the League.”
Instantly there was a shout. With an actor's instinct, Osterman had spoken at the precise psychological moment. He carried the others off their feet, glib, dexterous, voluble. Just what was meant by the League the others did not know, but it was something, a vague engine, a machine with which to fight. Osterman had not done speaking before the room rang with outcries, the crowd of men shouting, for what they did not know.
“The League! The League!”
“Now, to-night, this moment; sign our names before we leave.”