She spent her days in one quiver of excitement and jubilation. She was “in the movement.” The people of the city were awakening to a Realisation of the Beautiful, to a sense of the higher needs of life. This was Art, this was Literature, this was Culture and Refinement. The Renaissance had appeared in the West.

She was a short, rather stout, red-faced, very much over-dressed little woman of some fifty years. She was rich in her own name, even before her marriage, being a relative of Shelgrim himself and on familiar terms with the great financier and his family. Her husband, while deploring the policy of the railroad, saw no good reason for quarrelling with Shelgrim, and on more than one occasion had dined at his house. On this occasion, delighted that she had come upon a “minor poet,” she insisted upon presenting him to Hartrath.

“You two should have so much in common,” she explained.

Presley shook the flaccid hand of the artist, murmuring conventionalities, while Mrs. Cedarquist hastened to say:

“I am sure you know Mr. Presley's verse, Mr. Hartrath. You should, believe me. You two have much in common. I can see so much that is alike in your modes of interpreting nature. In Mr. Presley's sonnet, 'The Better Part,' there is the same note as in your picture, the same sincerity of tone, the same subtlety of touch, the same nuances,—ah.”

“Oh, my dear Madame,” murmured the artist, interrupting Presley's impatient retort; “I am a mere bungler. You don't mean quite that, I am sure. I am too sensitive. It is my cross. Beauty,” he closed his sore eyes with a little expression of pain, “beauty unmans me.”

But Mrs. Cedarquist was not listening. Her eyes were fixed on the artist's luxuriant hair, a thick and glossy mane, that all but covered his coat collar.

“Leonine!” she murmured— “leonine! Like Samson of old.”

However, abruptly bestirring herself, she exclaimed a second later:

“But I must run away. I am selling tickets for you this afternoon, Mr. Hartrath. I am having such success. Twenty-five already. Mr. Presley, you will take two chances, I am sure, and, oh, by the way, I have such good news. You know I am one of the lady members of the subscription committee for our Fair, and you know we approached Mr. Shelgrim for a donation to help along. Oh, such a liberal patron, a real Lorenzo di' Medici. In the name of the Pacific and Southwestern he has subscribed, think of it, five thousand dollars; and yet they will talk of the meanness of the railroad.”