“Ask the porter.”
“I did. He don't know.”
“Maybe they stopped to take on wood or water, or something.”
“Well, they wouldn't use the emergency brakes for that, would they? Why, this train stopped almost in her own length. Pretty near slung me out the berth. Those were the emergency brakes. I heard some one say so.”
From far out towards the front of the train, near the locomotive, came the sharp, incisive report of a revolver; then two more almost simultaneously; then, after a long interval, a fourth.
“Say, that's SHOOTING. By God, boys, they're shooting. Say, this is a hold-up.”
Instantly a white-hot excitement flared from end to end of the car. Incredibly sinister, heard thus in the night, and in the rain, mysterious, fearful, those four pistol shots started confusion from out the sense of security like a frightened rabbit hunted from her burrow. Wide-eyed, the passengers of the car looked into each other's faces. It had come to them at last, this, they had so often read about. Now they were to see the real thing, now they were to face actuality, face this danger of the night, leaping in from out the blackness of the roadside, masked, armed, ready to kill. They were facing it now. They were held up.
Hilma said nothing, only catching Annixter's hand, looking squarely into his eyes.
“Steady, little girl,” he said. “They can't hurt you. I won't leave you. By the Lord,” he suddenly exclaimed, his excitement getting the better of him for a moment. “By the Lord, it's a hold-up.”
The school-teachers were in the aisle of the car, in night gown, wrapper, and dressing sack, huddled together like sheep, holding on to each other, looking to the men, silently appealing for protection. Two of them were weeping, white to the lips.