"Well, I can understand it. Lands alive, child whatever are you going to do with all your money? They tell me that J. has made millions in the last three or four months. A man I was talking to last week said his corner was the greatest thing ever known on the Chicago Board of Trade. Well, good-by, Laura, come up whenever you're ready. I'll see you at lunch. Charlie is right here. He says to give you his love." An hour later Laura's victoria stopped in front of the Cressler's house, and the little footman descended with the agility of a monkey, to stand, soldier-like, at the steps, the lap robe over his arm.
Laura gave orders to have the victoria call for her at three, and ran quickly up the front steps. The front entrance was open, the screen door on the latch, and she entered without ceremony.
"Mrs. Cressler!" she called, as she stood in the hallway drawing off her gloves. "Mrs. Cressler! Carrie, have you gone yet?"
But the maid, Annie, appeared at the head of the stairs, on the landing of the second floor, a towel bound about her head, her duster in her hand.
"Mrs. Cressler has gone out, Mrs. Jadwin," she said. "She said you was to make yourself at home, and she'd be back by noon."
Laura nodded, and standing before the hatrack in the hall, took off her hat and gloves, and folded her veil into her purse. The house was old-fashioned, very homelike and spacious, cool, with broad halls and wide windows. In the "front library," where Laura entered first, were steel engravings of the style of the seventies, "whatnots" crowded with shells, Chinese coins, lacquer boxes, and the inevitable sawfish bill. The mantel was mottled white marble, and its shelf bore the usual bronze and gilt clock, decorated by a female figure in classic draperies, reclining against a globe. An oil painting of a mountain landscape hung against one wall; and on a table of black walnut, with a red marble slab, that stood between the front windows, were a stereoscope and a rosewood music box.
The piano, an old style Chickering, stood diagonally across the far corner of the room, by the closed sliding doors, and Laura sat down here and began to play the "Mephisto Walzer," which she had been at pains to learn since the night Corthell had rendered it on her great organ in the art gallery.
But when she had played as much as she could remember of the music, she rose and closed the piano, and pushed back the folding doors between the room she was in and the "back library," a small room where Mrs. Cressler kept her books of poetry.
As Laura entered the room she was surprised to see Mr. Cressler there, seated in his armchair, his back turned toward her.
"Why, I didn't know you were here, Mr. Cressler," she said, as she came up to him.