He held a strip of cloth torn from an old sheet in his hand, and rubbed the dust from each book before he handed it to her.
"Yes, yes; very carefully," he assured her. "Say," he added, "where are all your modern novels? You've got Scott and Dickens and Thackeray, of course, and Eliot—yes, and here's Hawthorne and Poe. But I haven't struck anything later than Oliver Wendell Holmes."
Laura put up her chin. "Modern novels—no indeed. When I've yet to read 'Jane Eyre,' and have only read 'Ivanhoe' and 'The Newcomes' once."
She made a point of the fact that her taste was the extreme of conservatism, refusing to acknowledge hardly any fiction that was not almost classic. Even Stevenson aroused her suspicions.
"Well, here's 'The Wrecker,'" observed Landry, handing it up to her. "I read it last summer-vacation at Waukesha. Just about took the top of my head off."
"I tried to read it," she answered. "Such an outlandish story, no love story in it, and so coarse, so brutal, and then so improbable. I couldn't get interested."
But abruptly Landry uttered an exclamation:
"Well, what do you call this? 'Wanda,' by Ouida. How is this for modern?"
She blushed to her hair, snatching the book from him.
"Page brought it home. It's hers."