In front of the little church Turner was waiting for him. She was dressed very prettily and the cold morning air had given her a fine colour.
"You don't look more than half awake," she said, as Vandover came up. "It was awfully good of you to come. Oh, Van, you look dreadfully. It is too bad to make you get up so early."
"No, no," protested Vandover. "I was only too glad to come. I didn't sleep well last night. I hope I haven't kept you waiting."
"I've only just come," answered Turner. "But I think it is time to go in."
The little organ was muttering softly to itself as they entered. It was very still otherwise. The morning sun struck through the stained windows and made pretty lights about the altar; besides themselves there were some half dozen other worshippers. The little organ ceased with a long droning sigh, and the minister in his white robes turned about, facing his auditors, and in the midst of a great silence opened the communion service with the words: "Ye who do truly and earnestly repent you of your sins and are in love and charity with your neighbours—"
As Vandover rose with the rest the blood rushed to his head and a feeling of nausea and exhaustion, the dregs of his previous night's debauch, came over him again for a moment, so that he took hold of the back of the pew in front of him to steady himself.
Chapter Five
In the afternoons Vandover worked in his studio, which was on Sacramento Street, but in the mornings he was accustomed to study in the life-class at the School of Design.
This was on California Street over the Market, an immense room partitioned by enormous wooden screens into alcoves, where the still-life classes worked, painting carrots, grapes, and dusty brown stone-jugs.